On 04/02/2012 08:37 PM, Eric Benjamin wrote:
I believe that the glockenspiel effect that you describe arises because the
localization cues experienced by the listener are different for ITDs than for
ILDs. Because we primarily rely on ITDs at low frequencies and ILDs at high
frequencies, if the
Thanks for the information.
But here is my question in more precise form:
Suppose you do a recording with ORTF(which
of course has its own set of problems).
Suppose you record a source that is say 15 degrees
left of center. and that the source is a pistol shot(an impulse).
Now the impulse will
calculations on ORTF stereo so that I can understand it better.
- Original Message
From: Robert Greene gre...@math.ucla.edu
To: Surround Sound discussion group sursound@music.vt.edu
Sent: Mon, April 2, 2012 1:44:28 PM
Subject: Re: [Sursound] Transient time differences
Thanks for the information
] Transient time differences
Thanks for the information.
But here is my question in more precise form:
Suppose you do a recording with ORTF(which
of course has its own set of problems).
Suppose you record a source that is say 15 degrees
left of center. and that the source is a pistol shot(an impulse).
Now
--- On Mon, 4/2/12, Eric Benjamin eb...@pacbell.net wrote:
In subsequent thinking about his question it occurs to me
that the plausibility,
not of the signals in the recording but of acoustic signals
that enter the
listener's ears, is an important indicator of whether the
listener finds
--- On Mon, 4/2/12, Eric Benjamin eb...@pacbell.net wrote:
Don't take this to mean that I don't like ORTF recordings.
I do like them. The
best stereo recording that I have ever made was an ORTF
recording. But then, I'm
not a very good recording engineer. I think that one of
the
