guess again, i think you Brits actually get the credit here
http://en.wikipedia.org/wiki/Lawsuit
Paul Reynoldson wrote:
>... I have read some real
>scare mongering stories here from folks who live in the country that
>invented "the sue me and i'll sue you state".
>
--
Markus Sandy
http://
One of the main problems is that artists often don't own the copyright of their
recordings.
(in the case of music) . Their record comapany does. The artist may or may
not retain
publishing rights but in most cases the "recording" is owned by the record
company.
That's why you don't see man
>
apropos comic book:
http://www.law.duke.edu/cspd/comics/
---
WWWhatsup NYC
http://pinstand.com - http://punkcast.com
---
Yahoo! Groups Links
<*> To visi
I hear what you're saying, Andrew. Often, I have the same
feeling---"If only they didn't use copyrighted music."
My personal preference is to use my friends' music, create my own, or
use CC or public domain stuff, largely because I don't want the
controversy, and I have confidence in making som
jonny goldstein wrote:
> If you haven't already, I recommend checking out "Free Culture" by
> Laurence Lessig from your local library to get a snapshot of where the
> legal system is today regarding I.P., how it got there, and how it
> could be changed for the better.
One of the coolest things a
www.locarecords.comanother label (UK based) giving away their music for free... i use it all the time...On 18 Mar 2006, at 17:52, Paul Knight wrote: Arrrghhh! Shiver Mi Timbers! File sharing p2p or darknet or news groups is bad. Bad for the record companies and artist and consumers, I thought
I know that, in the art world, artists are allowed to use copyrighted materials in their work - at least, they have since I last did. In Canada, the right of the artist to use pop culture iconography as critique has held. Could be changing soon though, the way things are going.
I find it interes
Beyond Fair Use:
I have an unpostulated hypothesis if there is such a concept that the
use of copyrighted music in online videos by personal publishers
tends to restrict interest in the content at hand and ultimately
slows any natural distribution that might otherwise occur.
When I see a gr
I think it is complete b.s. that people can't legally remix the
culture around them without the kind of friction the current system
presents.
.
I encourage everyone to get political about this. We are an interest
group. I don't know if we should band together to create a lobby, or
support existin
Paul,You're not a bad person and you're probably right that you will likely never receive a take-down notice or any nasty notes from Lawyers. But, if you ever wanted to do more with your work, you probably would have to clear the rights for the soundtracks. I'm not saying its right or wrong, but
I think this comment is besides the point, I am not a broadcaster, I don't have a radio station, I am simply a man who makes videos as a hobby and puts the occasional mainstream track on my videos for all, well lets face it a selective audience of ten's around the world. I don't advertise, the
jonny goldstein wrote:
>The more into vlogging I get, the more convinced I am that this stuff
>is so important. I just read Lessig's "Free Culture," JD's "Darknet,"
>checked out the EFF site and other resources.
>
same here, i'll bet many of us are following similar paths
>I don't know how we g
Arrrghhh! Shiver Mi Timbers! File sharing p2p or darknet or news groups is bad. Bad for the record companies and artist and consumers, I thought we were discussing the using snipets of copyrighted music in videoblogs, not who uses p2p like limewire or etcI listened to all the future of darknet
However,
Remember the Self Emptying Bin Video that I sent to the BBC for their
website, it had 3 snippets of copyrighted music including 'The Great
Escape', 'Psycho' and 'Jaws', The BBC had the choice of whether
to publish the silent one which I sent and the one with the
music. If the BBC can'
The more into vlogging I get, the more convinced I am that this stuff
is so important. I just read Lessig's "Free Culture," JD's "Darknet,"
checked out the EFF site and other resources.
I understand that the media giants are scared, and I think they should
be. They are basically huge teams of law
If anyone thinks "oh they wont come after me", think again. My
internet radio station had a relatively small listener base. The
station didnt make any money at all. No advertising. No donations.
Nothing. The majority of the music played was indie music. On
occasion, a DJ would mix it up and throw i
"wow" is right (the last audible statement in the recording)
i love how MPAA's notion of "education" is taking the old "scared
straight" approach
it appears that their idea of education is more like what most folks
call a threat
mainly they tell stories about the different ways they can
If you are interested, listen to the panel at SXSWi.
The Future of Darknets: Can Hollywood See the Light? - Monday, March 13
http://server1.sxsw.com/2006/coverage/
SXSW06.INT.20060313.FutureOfDarknets.mp3
or
http://tinyurl.com/oqsqg
Darknet pioneers and representatives from the movie and music
Sage words there,However, Remember the Self Emptying Bin Video that I sent to the BBC for their website, it had 3 snippets of copyrighted music including 'The Great Escape', 'Psycho' and 'Jaws', The BBC had the choice of whether to publish the silent one which I sent and the one with the music.
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