able licensing
costs).
Erika Linke and Carolyn Anthony are now DCWG co-chairs.
Do we need our own scorecard for streaming media providers, even if they
already provide .edu access?
I’m glad to see so many riled up about this issue. Advocacy leads to change!
- John
…………
John Vallier
Not a syllabus for that course, but here’s a syllabus for a course on Hip Hop
Archiving in the PNW that I co-taught last year that mixes regional Hip Hop
history w/ “media librarianship” - https://canvas.uw.edu/courses/1040930/
John
> Message: 5
> Date: Wed, 16 Nov 2016 12:07:34 -0500
>
Thanks, CW, for your input on this issue. As Kevin Smith noted, when writing
about the unfortunate AIME v UCLA case...
"We routinely assume that “contracts trump copyright;” libraries are told that
all the time regarding the databases they license, and they often pass the
message on to users.
e.jhu.edu/article/608905>
Unfortunately, we failed to find a solution, but I’m hoping some of you have
ideas on how to address this challenge as it relates to video in particular.
Thanks,
John
——————————
JOHN VALLIER
Head, Distributed Media Services
Affiliate Assistant Prof, Ethnomu
apture and are now creating ffv1/mkv
files.
Here's more about our .edu 16mm film collection:
http://guides.lib.uw.edu/research/16mm_film
Good luck with your project and pls send updates!
All best,
John
____
JOHN VALLIER
Head, Distributed Media
Affiliate Asst Prof, Ethnomusicology
Univ
are *trying* to do
here. Speaking of which, is anyone using Internet Archive post their vintage or
born-digital media online? We have a few online here:
https://archive.org/details/uwlibraries
- John
_
John Vallier
head, distributed media
University of Washington Libraries, Seattle
http
.
Thanks,
John
_
John Vallier
head, distributed media
University of Washington Libraries, Seattle
http://guides.lib.washington.edu/vallier
VIDEOLIB is intended to encourage the broad and lively discussion of issues
relating to the selection, evaluation, acquisition,bibliographic control
Hi deg -
I haven't seen this video, but it sounds like it could fulfill at least part of
your prof's needs:
http://www.worldcat.org/oclc/61120061
Perhaps this one, too
http://www.worldcat.org/oclc/824608378 (especially the exchange between Chomsky
and Foucault).
John
_
John
://tripplanner.kingcounty.gov/
Safe Travels,
John
_
John Vallier
Head, Distributed Media
Univ. of Washington Libraries
http://faculty.washington.edu/vallier
http://www.lib.washington.edu/media
VIDEOLIB is intended to encourage the broad and lively discussion of issues
relating to the selection
Agreed, Gary. Illogic seems to be the common thread with this list. The 2
documentary bookends are thanks to an often re-occuring class given by a UCB
PhD grad!
I would like to dig through more lists for our top 20 docs, but that will have
to wait.
- John
ghand...@library.berkeley.edu
Hi Lori,
What a timely question. The library we are located in will be going through a
$16 million renovation over the next 2 years, so I've been thinking a bit about
this. In addition to Gary's excellent pre-coffee (!) free-form, I've been
thinking in terms of taking our media center and
And here's UW Seattle's top 20 circs, multiple copies not combined.
THE STORY OF VINH - CHKOUT = 581
SLEEPLESS IN SEATTLE - CHKOUT = 487
BIG LEBOWSKI - CHKOUT = 459
MULAN - CHKOUT = 445
RUSHMORE - CHKOUT = 419
CASABLANCA - CHKOUT = 408
HIGH FIDELITY - CHKOUT = 406
ERIN BROCKOVICH - CHKOUT = 401
Hi Mike,
Thanks for bringing this up. I deal with this false notion quite a bit,
sometimes emanating from the mouths of librarians.
Beyond murky copyright issues preventing the mass digitization and online distribution of
OP VHS, there's another reason why these (and rare 16mm film and even
I'm writing to thank Michael for his ongoing clarification of 108 and work on
making the spinner available. I know some on this list may find it hard to
believe that (legally speaking) financial interests don't always preclude
ethical ones (e.g., preserving our cultural heritage), but these
.
On the topic of recording copyrighted material, I would be interested to hear
feedback from videolibers on this site: http://criticalcommons.org
John
_
John Vallier
Head, Distributed Media
UW Libraries Media Center
vall...@uw.edu 206-616-1210
http://lib.washington.edu/media
http
their videos via ILL!
- John
_
John Vallier
Head, Distributed Media
UW Libraries Media Center
http://lib.washington.edu/media
VIDEOLIB is intended to encourage the broad and lively discussion of issues
relating to the selection, evaluation, acquisition,bibliographic control,
preservation
Hi Norma,
Not sure why our copy didn't show up in WorldCat, but we have that fine film on
vintage VHS:
http://uwashington.worldcat.org/oclc/2830018773606
And we lend video via ILL.
Stanford appears to be your closest WCL that has it on DVD.
- John
http://lib.washington.edu/media
On Sat, 9 Apr
for licensing. It would also be a temporary license, lasting maybe one
or two years. We declined, and so go library collections.
John
_
John Vallier
Head, Distributed Media
UW Libraries Media Center
vall...@uw.edu 206-616-1210
http://lib.washington.edu/media
http://faculty.washington.edu
Apologies for duplication, but those of you not on the AMIA list may find
Zediva's approach provocative (especially AIME members?).
http://nyti.ms/fhuBpQ
http://www.wired.com/epicenter/2011/03/zediva
_
John Vallier
Head, Distributed Media
UW Libraries Media Center
vall...@uw.edu 206
Association takes the position that the making of
digital copies of entire works, in order to provide digital delivery of course
reserves, is a fair use under this statute and is analogous to established
practices.
- John
_
John Vallier
Univ. of Washington Libraries, Seattle
http
, the mission of the institution, and the needs of
the community.
Good luck!
John
__
John Vallier
Head, Distributed Media
UW Libraries Media Center
http://www.lib.washington.edu/media
http://faculty.washington.edu/vallier
VIDEOLIB is intended to encourage the broad and lively discussion
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