We've been using the Imation Stakka disc storage devices for storing our
circulating DVDs, and they are a constant headache. It seems they're not
really capable of handling the volume of use they get here. On reading
customer reviews of other comparable devices, it looks like they all
have the
Tom, we also elected to remove discs from their cases so that we could have
better theft protection while still keeping the original DVD cases out in the
stacks for browsing. We simply invested in a sturdy, multi-drawer cabinet
which holds inexpensive slim disc cases like these:
lorraine
On Jun 2, 2011, at 8:53 AM, Susan Albrecht
albre...@wabash.edumailto:albre...@wabash.edu wrote:
Tom, we also elected to remove discs from their cases so that we could have
better theft protection while still keeping the original DVD cases out in the
stacks for browsing. We simply
Jessica--you do rant a lot and I have poked some irritants in your direction
recently, but I wanted to add that I'm glad you are on the list and always
ready with information, case studies, and valiant defense of the rights owners.
I have understood the situation so much more fully from reading
Randal--well, you asked me a question and then sort of gave the answer I would
give. I am not dealing with this kind of situation myself, so whether I am OK
with a 50 sec. clip is not relevant. It looks, though, as if the librarians
have given it some thought and believe the 50 sec. clip is
This may be a solution, if rather than getting
new cabinets we re-package into small and thin cases.
O.
At 08:52 AM 02/06/2011, you wrote:
Content-Language: en-US
Content-Type: multipart/alternative;
boundary=_000_EB1E4106A574F649AEED38D97D0273BC66690E70Ex2010Mailstore_
Tom, we also elected
Nice explanation -- musicologimetrics on that one. That makes sense, it's
enough time to hear the tune and maybe get to the bridge. Those percentages
work out, I hadn't considered the clip time as a percentage and was wondering
why 50 rather than 30?
Cheers,
Randal
- Original Message
Don't know how this slipped under our radar, but one of my esteemed
Senators, Amy Klobuchar, has introduced a bill amending Copyright Act by
making public performance of [infringed] media a criminal offense, in
addition to the current civil penalties. There are provisions within the
amendment
Does anyone know where I can obtain rights to this film?
Thanks!
Mary E. Edwards
Director of Library Services
The Art Institute of California - Los Angeles
2900 31st Street
Santa Monica, CA 90405-3035
310-314-6154 (tel.)
meedwa...@aii.edu
Does anyone know where I can obtain rights?
Thanks!
Mary E. Edwards
Director of Library Services
The Art Institute of California - Los Angeles
2900 31st Street
Santa Monica, CA 90405-3035
310-314-6154 (tel.)
meedwa...@aii.edu
Same question - anyone know where I can find rights?
Thanks!
Mary E. Edwards
Director of Library Services
The Art Institute of California - Los Angeles
2900 31st Street
Santa Monica, CA 90405-3035
310-314-6154 (tel.)
meedwa...@aii.edu
That should still be Sony Classics. They do their stuff directly except for
few titles New Yorker still has, but I would imagine that one is back to
Sony. I am sure someone here has contact for them, but I don't
On Thu, Jun 2, 2011 at 12:06 PM, Edwards, Mary meedwa...@aii.edu wrote:
Same
That one was a mess for years. I know Jack Nicholson is at least a part
owner.
Best thing to track any title down is to start with the company that has it
out in home video. Assuming they don't have PPR rights someone there knows
who they got the rights from, the trick is getting them to give you
Dear Mary,
The Passenger was restored by Sony and re-released by Sony
Classicshttp://www.sonyclassics.com/thepassenger/synopsis.html in
2005. Crouching Tiger was also Sony Classics. So they could be New Yorker or
still with SC?
--
Best regards,
Dennis Doros
Milestone Film Video/Milliarium
Dear Mary,
Crouching Tiger expired this year but you can try contacting Sony Classics
directly. Please contact me at New Yorker for The Passenger.
On 6/2/11 12:31 PM, Dennis milefi...@gmail.com wrote:
Dear Mary,
The Passenger was restored by Sony and re-released by Sony Classics
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