Re: [Videolib] Screening budgets
Hey Laura, Unofficially no. But situations have cropped up where we purchased a Home Use copy and then a screening was arranged so we split the cost of a PPR copy. We don't have a budget to support screening rentals and I don't support that idea - not from an acquisitions budget anyway. Is it just me or are campus screenings starting to become quaint reminders of times gone by? They still occur regularly here at AU yet I don't think anyone attends them. Does anyone have success stories to the contrary? I'd like to get marketing tips. On Tue, Feb 18, 2014 at 1:33 PM, Laura Jenemann ljene...@gmu.edu wrote: Hi again, I have another related question: Are any academic libraries funding PPR specifically for film screenings outside the classrooom? In other words, where the primary use of the film is going to be for a one-time screening, rather than a classroom use. Regards, Laura Laura Jenemann Film Studies/Media Services Librarian George Mason University 703-993-7593 ljene...@gmu.edu VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. -- Chris Lewis American University Library 202.885.3257 Hot tip: Have you seen The Loving Storyhttp://proxyau.wrlc.org/login?url=http://docuseek2.com/v/a/A8? A story about defiance of Virginia laws prohibiting inter-racial marriage in the 1950s and the fight to overturn the laws. Click the title to view instantly - restricted to AU users only. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
[Videolib] Screening budgets
Hi again, I have another related question: Are any academic libraries funding PPR specifically for film screenings outside the classrooom? In other words, where the primary use of the film is going to be for a one-time screening, rather than a classroom use. Regards, Laura Laura Jenemann Film Studies/Media Services Librarian George Mason University 703-993-7593 ljene...@gmu.edu VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Screening budgets
We have a policy not to fund PPR specifically for film screenings outside the classroom, though occasionally we partner (split the cost) with a campus film festival to acquire PPR along with a library copy of a film. Debbie Benrubi *** Technical Services Librarian University of San Francisco Gleeson Library|Geschke Center 2130 Fulton St. San Francisco, CA 94117 ph. 415.422.5672 fax 415.422.2233 On 2/18/2014 10:33 AM, Laura Jenemann wrote: Hi again, I have another related question: Are any academic libraries funding PPR specifically for film screenings outside the classrooom? In other words, where the primary use of the film is going to be for a one-time screening, rather than a classroom use. Regards, Laura Laura Jenemann Film Studies/Media Services Librarian George Mason University 703-993-7593 ljene...@gmu.edu VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Screening budgets
If the film to be screened is one what comes with lifetime PPR then I'll buy it for the library. If it comes with one-time PPR then I usually don't. Though there have been times in the past when, like Deborah, we've co-sponsored an event, in which case we did pay for the one-time PPR. Cheers, Matt __ Matt Ball Media and Collections Librarian Clemons Library University of Virginia mattb...@virginia.edu 434-924-3812 From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Laura Jenemann Sent: Tuesday, February 18, 2014 1:33 PM To: videolib@lists.berkeley.edu Subject: [Videolib] Screening budgets Hi again, I have another related question: Are any academic libraries funding PPR specifically for film screenings outside the classrooom? In other words, where the primary use of the film is going to be for a one-time screening, rather than a classroom use. Regards, Laura Laura Jenemann Film Studies/Media Services Librarian George Mason University 703-993-7593 ljene...@gmu.edumailto:ljene...@gmu.edu VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] screening budgets
Ditto And we maintain a policy page on PPR: https://lib.asu.edu/policies/publicperformance deg farrelly, Media Librarian Arizona State University Libraries Hayden Library C1H1 P.O. Box 871006 Tempe, Arizona 85287-1006 Phone: 602.332.3103 On 2/18/14 12:19 PM, videolib-requ...@lists.berkeley.edu videolib-requ...@lists.berkeley.edu wrote: We have a policy not to fund PPR specifically for film screenings outside the classroom, though occasionally we partner (split the cost) with a campus film festival to acquire PPR along with a library copy of a film. Debbie Benrubi *** Technical Services Librarian University of San Francisco Gleeson Library|Geschke Center 2130 Fulton St. San Francisco, CA 94117 ph. 415.422.5672 fax 415.422.2233 VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
Re: [Videolib] Screening budgets
Here at USC we acquire 100-150 new documentary films a year. As I have expressed before in this forum, it is our policy to purchase documentaries strictly at the institutional rate (that is with PPR.) One of the advantages to this model, it is that we never have to worry about illicit showings. And trust me: if illicit showings were going on USC, it would come crashing down on us in a way that probably would not happen at similar other institutions. About two to three times a year, a student group will approach me about acquiring a documentary film that they want to show at one of the organizations function and it is a documentary that USC does not happen to have in its collection. In such cases, the library will almost always go ahead and purchase the film (with PPR, of course.) If a student group wants to show a feature film at one of their functions, it is strictly their responsibility to secure PPR and pay for it themselves. Cheers! Anthony *** Anthony E. Anderson Assistant Director, Doheny Memorial Library University of Southern California Los Angeles, CA 90089-0182 (213) 740-1190 antho...@usc.edumailto:antho...@usc.edu Wind, regen, zon, of kou, Albert Cuyp ik hou van jou. From: videolib-boun...@lists.berkeley.edu [mailto:videolib-boun...@lists.berkeley.edu] On Behalf Of Deborah Benrubi Sent: Tuesday, February 18, 2014 10:50 AM To: videolib@lists.berkeley.edu Subject: Re: [Videolib] Screening budgets We have a policy not to fund PPR specifically for film screenings outside the classroom, though occasionally we partner (split the cost) with a campus film festival to acquire PPR along with a library copy of a film. Debbie Benrubi *** Technical Services Librarian University of San Francisco Gleeson Library|Geschke Center 2130 Fulton St. San Francisco, CA 94117 ph. 415.422.5672 fax 415.422.2233 On 2/18/2014 10:33 AM, Laura Jenemann wrote: Hi again, I have another related question: Are any academic libraries funding PPR specifically for film screenings outside the classrooom? In other words, where the primary use of the film is going to be for a one-time screening, rather than a classroom use. Regards, Laura Laura Jenemann Film Studies/Media Services Librarian George Mason University 703-993-7593 ljene...@gmu.edumailto:ljene...@gmu.edu VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors. VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
