Yes, chapter stops/scene selections are invaluable tools for instructors.
Jo Ann
Jo Ann Reynolds
Reserve Services Coordinator
University of Connecticut
Homer Babbidge Library
369 Fairfield Road, Unit 1005RR
Storrs, CT 06269-1005
860-486-1406 voice
860-486-0584 fax
From:
I believe we’ll be moving to this policy very soon. We already do it for films
we were unable to license.
Best,
Jo Ann
Jo Ann Reynolds
Reserve Services Coordinator
University of Connecticut
Homer Babbidge Library
369 Fairfield Road, Unit 1005RR
Storrs, CT 06269-1005
860-486-1406 voice
Do you ask them to purchase books and articles?
On Tue, Jun 23, 2015 at 10:35 AM, Jo Ann Reynolds
jo_ann.reyno...@lib.uconn.edu wrote:
I believe we’ll be moving to this policy very soon. We already do it for
films we were unable to license.
Best,
Jo Ann
Jo Ann Reynolds
Reserve
Hi-
Sarah describes pretty much what we do here as well. We are very proactive in
providing streaming content to faculty and students in support of the
curriculum, but as Sarah points out - not everything is readily available to
us. When needed, I direct students and faculty to amazon,
All:
We have a professor wo is trying to prepare for an upcoming Spring 2016 course
and would like to know if licensed, streaming access is available for the
following films:
1) Los deseos concebidos (Chile, dir. Sánchez, 1982)
2) Miss Universo en Perú (Peru, Grupo Chaski, 1982)
3) ¡Vampiros
Dear colleagues,
I am wondering how your respective libraries handle multi-volume sets that are
given accession numbers rather than call numbers.
Does each individual DVD or VHS (!) have a unique accession number, or do you
use the same number but have an add-on such as volume 1, disk 1, etc?
Dear Lisa,
This is a fantastic list of films. Although we include Tambien La Lluvia (Even
the Rain) in our educational program Spanish Film Club
(www.spanishfilmclub.com), we do not have the streaming rights. You may want to
check with the US distributor, Vitagraph.
However, we do specialize
Lindsay,
When our Media Library was a closed collection, we used separate, sequential
numbers for each physical item in a multi-volume set. One reason we used this
arrangement was that we entered each title as an independent entity. The entire
set could be searched by the series title;