Dear Edward,
The problem with employing an unequal temperament on the five course
guitar is the prevalence of sliding chord shapes employed on every fret
in much of the extant repertoire - ie Alfabeto. This has also been
pointed out in previous communications and papers.
M.H.
I use 1/4-comma MT on my B-guitar when needed. High first fret with
tastini (singular?) for g# on 3rd string (E-major chord!).
David
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David van Ooijen
[1]davidvanooi...@gmail.com
[2]www.davidvanooijen.nl
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On
Hi everyone!
I'm thinking about exploring meantone on my renaissance and baroque guitars. At
the moment they are in equal temperament, but I usually have my renaissance
lute in 1/4 comma meantone and my baroque archlute in 1/6 comma (unless I'm
doing earlier music).
I was wondering about
