- Theorbes, Vihuelas, Guitare Baroque
Label: Arion ââ ARN 336 018Format:3 à Vinyl, LP, Compilation
Country: France
Released:1979
Azalais
On Sat, Dec 1, 2018 at 10:05 AM [2]mjlh...@cs.dartmouth.edu
<[3]mjlh...@cs.dartmouth.edu> wrote:
Thanks - that's a start on th
ww.davidvanooijen.nl
***
On Sat, 1 Dec 2018 at 15:27, [3]mjlh...@cs.dartmouth.edu
<[4]mjlh...@cs.dartmouth.edu> wrote:
Am I imagining it or did Rodrigo de Zayas make a recording of the
complete works of Sanz sometime in the 1970s? I have a set of
three
LPs
Am I imagining it or did Rodrigo de Zayas make a recording of the
complete works of Sanz sometime in the 1970s? I have a set of three LPs
of selections from all his recordings. One side is devoted to Sanz. I
believe he also did a complete transcription of the msuic which was
included in the
Just for the record - I am revising my web pages devoted to Corbetta. I
have just uploaded a revised and enlarged version of Section I which
covers his biography.
You can find this at http://monicahall.co.uk/corbetta
Regards
Monica
To get on or off this list see list information at
!)
> On Aug 3, 2018, at 5:36 AM, mjlh...@cs.dartmouth.edu wrote:
>
> Has anyone got a decent digital copy of Corbetta's 1639 book?
>
> His "alfabeto falso" includes a version of Chord N* with the fifth
> course clearly left unfretted but the note on the first cou
Has anyone got a decent digital copy of Corbetta's 1639 book?
His "alfabeto falso" includes a version of Chord N* with the fifth
course clearly left unfretted but the note on the first course is
unclear. Most people including Pinnell and Gary Boye have interpreted
this as being G played at the
Does anyone know anything about the lady to whom Le Gallois addressed
his letter about music. -
Le Gallois, Jean - Lettre de Mr Le Gallois a Mademoiselle de Regnault
de Solier touchant la Musique. Paris : Estienne Michallet & G. Quinet,
1680.
There are a couple of references to Corbetta
e Book in he same
library. I wonder if they might form a pair. The Cavalcanti came from
Coussemacher's collection. Titles like Cicilano (with C, not S),
Franchina, Matacinata etc.
Arthur Ness
arthurjn...@verizon.net
-Original Message-
From: mjlhall <mjlh...@cs.dart
It appears that an edition of Corbetta's Varii Capricii per la Guitarra
Spagnuola (1643) edited by Giangiacomo Pinardi, was published by the
publishers Guardamagna Editore, in Pavia in 1996.
I have been trying to get hold of this without success. I e-mailed the
publishers but they haven't
s that
instruction was given. Taken by itself, it could describe simply a
"command" performance on guitar.
Regards,
Daniel Heiman
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of mjlh...@cs.dartmouth.edu
Sent: 23 April
oth?) royals on the guitar"?
Regards
Peter
-Original Message-
From: lute-...@cs.dartmouth.edu <lute-...@cs.dartmouth.edu> On Behalf
Of mjlh...@cs.dartmouth.edu
Sent: Monday, April 23, 2018 3:02 PM
To: heiman.dan...@juno.com
Cc: VihuelaList <vihuela@cs.dartmouth.edu>
Subjec
,
Daniel Heiman
-Original Message-
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On
Behalf Of mjlh...@cs.dartmouth.edu
Sent: 23 April, 2018 03:26
To: VihuelaList
Subject: [VIHUELA] German translations
I wonder if any kind person on the list whose knowledge of German is
better
I wonder if any kind person on the list whose knowledge of German is
better than mine could translate the following into English. I can
guess more or less what it is about but can't fathom out the details.
He was played 60 fl. for whatever he did
Eintrag in den Hofzahlamtsrechungen für
’s Leadership Academy Alum
> 310 Fletcher Music Center
> School of Music
> East Carolina University
> 252.328.1255 office
> 252.328.6258 fax
> nels...@ecu.edu <mailto:nel...@ecu.edu>
> On 4/3/18, 8:38 AM, "lute-...@cs.dartmouth.edu on behalf of
mjlh...@cs.dartmouth.edu"
Monica, and thanks for sharing. The amount of work
you
give
to the baroque-guitar community - and for no money - is incredible,
and
you
should be loudly thanked for it!
Rob MacKillop
On 3 April 2018 at 12:19, mjlh...@cs.dartmouth.edu <mjlhall@cs.
e: [VIHUELA] Corbetta
Wow. Well done, Monica, and thanks for sharing. The amount of work you
give
to the baroque-guitar community - and for no money - is incredible, and
you
should be loudly thanked for it!
Rob MacKillop
On 3 April 2018 at 12:19, mjlh...@cs.dartmouth.edu <mjlhall@cs.
If anyone is interested I have now added to my web pages a rather basic
tablature edition of the pieces attributed to Corbetta in the Gallot
ms. GB-Ob Ms.Mus.Sch.C94.
www.monicahall.co.uk/corbetta . It is second from the bottom of the
list of contents.
Regards
Monica
To get on or off this
Martyn
Stewart McCoy once gave me some very good advice -
"The person who insists on having the last word is the person who is in
the wrong".
I'll leave you to have the last word.
Monica
To get on or off this list see list information at
Dear Martyn
I am sorry to have denied you the opportunity to fully reply to my
message of 31 Jan and its various inconsistencies and
'misrepresentations'.
I prefer to consider my inconsistencies and “misrepresentation”s as an
attempt to keep an open mind and examine different ideas about what
Dear Martyn
If you had taken the trouble to read the message that I sent to the
list on 31st January you would know what my conclusions about this
manuscript were. There is no need for me to clarify my position further
and I do not believe you are interested in composing a constructive
reply.
Dear Martyn
The message which you have attached below is NOT the message which I
sent to the Vihuela List on the 31st January.
I suggest you retrieve this from the Archives and ACTUALLY READ IT
CAREFULLY. It is the second down below your latest message.
Frankly I am not really interested in
Martyn – RE: CZ-Bm D 189 My Response to Your Message of 29th January
I will try to to be concise and stick to the point. I have deleted
sections from Martyn’s message which I think are irrelevant and
rearranged some of his comments to achieve a more logical appraisal of
the manuscript.
1.
her than, naturally, simply fair comment.
regards
Martyn
______
From: "mjlh...@cs.dartmouth.edu" <mjlh...@cs.dartmouth.edu>
To: VihuelaList <vihuela@cs.dartmouth.edu>
Cc: Martyn Hodgson <hodgsonmar...@yahoo.c
Obviously it will take me some time to reply to this message which in
part is a response to a message which I sent to Martyn privately.
It will be all the more difficult because he has clearly not read any
of my messages and has consistently misrepresented everything that I
have said in them.
Thank you - Lex - that's all very interesting. Incidentally Medard
includes an example of a "Campanelle" in 1676 and there are campanelle
passages in some of the works attributed to Corbetta in the Gallot Ms.
Monica
Original Message
From: lex.eisenha...@gmail.com
Date: 24/01/2018
I have had a bit more time to look at this.
In the message which Martyn posted on 7th January commenting on an
earlier message
of mine he said -
"Simply overlooked is that the majority of pieces after F. 67 are in
keys
where low G is at least as helpful as for the works on in the following
Personally I think it would be better to confine the discussion to the
vihuela list where it was initiated. I don't think it is appropriate to
post extended character assassinations to a public discussion list so
my
response will focus an the manuscript itself.
This is just a summary of my
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