On Thu, Apr 04, 2024 at 06:36:11PM +0530, Udhay Shankar N via Silklist wrote:
> I found this perspective (from a newsletter on, of all things, Brit
> politics) fasinating. Basically, "everything is interesting."
> 
> What are the group's thoughts on both the process of writing, and the
> specific hypothesis that "everything is interesting"?
> 
> https://iandunt.substack.com/p/how-to-write

I half-expected some kind of advice on technique, but turned out, this
was nice, interesting read. As far as I can tell, it was very truthful,
too, comments also worth ones time.

Personally, I come from line of thought claiming that, while one can
master a technique, or rather keep improving it endlessly, there is only
certain level to which a technique alone will take us. In order to
really fly, a spark is necessary. I could also say "a talent", but
my understanding is that there is slight difference between the two,
talent being more of material world and obviously connected in meaning
with ancient measure of weight (roughly, 26-27kg, but this depended on
whether one would have asked Athenian or Egyptian). So, one could have
a musical talent, or one could have a talent of silver or of gold,
even. 

Spark, on the other hand, is non-measurable, cannot be bought or sold
(although its owner can), even thou it can be lost, or at least it
can be forgotten.

But chances are, I may be prejudiced about this. There are examples of
famous writers, who do not boast about sparks, but instead claim they
are writing thirty or fifty pages a day, like some posessed
typewriter from hell. Then again, maybe their spark is just this
bright and mighty.

My own spark test for books is simple - do I feel a need to read it
again, some time later? Sure, there are few such books and each time
they give me something new. Some books have got ten sparks (one spark
if I read it twice). I am not talking about "C Programming Language"
or some other tech manual, of course. And I do not mean the book has
to be highly regarded by literati - Gaiman's "American gods" (in
tandem with "Anansi boys") easily scored three or four, Sun Tzi "Art
of War" got two-three, and "Golem XIV" by Stanislaw Lem got at least
ten, all scores on a "so far" basis. Some philosophical tractates so
far, below one (i.e. I might have read them once, but hardly twice),
although "Summa technologiae" scored somewhere from two to five (I do
not always recall).  From what I have heard about Popper, his books
might get solid two, if/when I lay my hands etc, but this too may be
my prejudice.

Anyway, despite sparks etc, not everybody is recognised before death
and not everybody is remembered after it, either. There was a Polish
poet/writer/philosopher, Cyprian Kamil Norwid [1] [2], who died
destitude in exile (after leading destitude life in exile), in certain
institution near Paris. Some (much? most?) of his belongings,
including papers, have been put to fire by nuns running the
place. About fifty years later what was left of it filled single book
of collected works, six hundred pages worth. In a way, Norwid was
lucky, eh?

Finally, since a well-curated quotation on wiki is worth a billion
words, some may enjoy those: [3] [4]. I did enjoyed them.

[1] https en.wikipedia.org/wiki/Cyprian_Norwid
[2] https en.wikisource.org/wiki/In_Verona
[3] https en.wikiquote.org/wiki/Writing
[4] https en.wikiquote.org/wiki/Authors

-- 
Regards,
Tomasz Rola

--
** A C programmer asked whether computer had Buddha's nature.      **
** As the answer, master did "rm -rif" on the programmer's home    **
** directory. And then the C programmer became enlightened...      **
**                                                                 **
** Tomasz Rola          mailto:[email protected]             **
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