I send a commissioned script to the publisher with a text description of the 
image (x runs, y fires a machine gun or whatever but in somewhat more detail) 
and dialogue as well, for each image laid out in the page.    (Image 1, top 
panel split into 3 - so three images at the top of the page)

They hire an artist for the cover and one for the interiors

If you self publish (assuming you don’t find a publisher) then you need to find 
an artist and colorist, then do the editing, composing etc - though there are 
agencies that help with this.

--srs
________________________________
From: Silklist <[email protected]> on 
behalf of Yeddanapudi Radhika via Silklist <[email protected]>
Sent: Saturday, April 6, 2024 7:06:23 AM
To: Intelligent conversation <[email protected]>
Cc: Yeddanapudi Radhika <[email protected]>
Subject: Re: [Silk] How to write

Hi Suresh. I wanted to know how you go about writing these war comics. Do you 
work with an illustrator or do you illustrate them as well?

I have a story for 9-12 yr-olds that I want to market to publishers but I don't 
know how to go about it. Any ideas would be greatly appreciated.

Thank you.
Radhika

El jue., 4 abr. 2024 7:34 a. m., Suresh Ramasubramanian via Silklist 
<[email protected]<mailto:[email protected]>> escribió:
All I write are “war comics”, a more or less uniquely British genre. I do agree 
with what you say but would also add is that the ultimate goal of writing is to 
make your audience interested in your ideas, to care for your characters and 
share their joys, feel their pain etc.

Far easier said than done though, especially when writing pulp comic strips 
that are a standard 64 a5 sized pages in length.  Or maybe the grass is greener 
on the other side and it is far easier in a long form article or full length 
novel where you can elaborate your ideas and have more scope to build your 
characters.

--srs
________________________________
From: Silklist 
<[email protected]<mailto:[email protected]>>
 on behalf of Bruce Metcalf via Silklist 
<[email protected]<mailto:[email protected]>>
Sent: Thursday, April 4, 2024 7:06:15 PM
To: [email protected]<mailto:[email protected]> 
<[email protected]<mailto:[email protected]>>
Cc: Bruce Metcalf <[email protected]<mailto:[email protected]>>
Subject: Re: [Silk] How to write

On 4/4/24 17:06, Udhay Shankar N via Silklist wrote:

> I found this perspective (from a newsletter on, of all things, Brit
> politics) fasinating. Basically, "everything is interesting."
>
> What are the group's thoughts on both the process of writing, and the
>  specific hypothesis that "everything is interesting"?


It reminds me a bit of a lesson I learned at the knee of the late Ray
Bradbury, "Writers write! That's how we know we're writers. I sit down
at the typewriter every morning, put in a sheet of paper, and put down
words. Some days they're great and I keep them; some days they're shit
and I toss them. It doesn't matter, I keep writing, because if I don't
write, then I'm not a writer, and then what am I?"

He was talking about fiction of course, but I don't think non-fiction is
much different. I've been writing professionally for nearly half a
century, and I can't say I've had any trouble from "writer's block."
Yes, some days what I write is junk, but I can generally come up with
something better the next day ... and the next if needed.

As for the argument that "everything is interesting," I call BS. Bad
writing (or bad teaching) can make any topic the most boring and
off-putting subject imaginable. Good writing (and good teaching) can
often do just the opposite. This is how you test for good writing -- is
it interesting?

I think people romanticize writing. It's a task just like building a
house. You can build a beautiful or ugly building, a sound or rickety
building, a building that suits it's purpose or one that frustrates
those who use it. Writing is the same. To those who claim the existence
of plans and building inspectors makes carpentry different, permit me to
introduce them to the concept of task definitions and editors.

Is writing easy? Is carpentry? You can learn skills to make both easier,
you can use what techniques help produce good product, and some people
just aren't good at one or the other.

Is everything interesting? Better to ask if writing on a given topic --
and reading the results -- is interesting, or fun, or informative, or
inspiring, or whatever end you're going for. "Interesting" isn't an
inherent quality of the topic.

Cheers,
/ Bruce /
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