This reminds me of how much I enjoyed the book "The Emperor of Scent" some years back - which was not only a good yarn but dove into competing theories about how our olfactory system works (quite distinct from taste). Unclear to me how much of that was really well-founded, and how the understanding might have changed in the intervening years.

A friend of mine has suffered from anosmia for decades, after a blow to the head. He spent years trying various therapies that largely consisted of various forms of amphetamines that were meant to increase his olfactory sensitivity - to minimal effect. He has lately switched to some sort of resensitization therapy - conscious exposure to individual scents, to try to remap the brain's receptive wiring. I think he's been getting some positive results - I'll ask him for a reference.

On 4/18/25 10:14 AM, Priyanka Sachar via Silklist wrote:
I can truly identify with smells transporting us elsewhere. AND I'm also suffering from Anosmia. 😩 I've also lost sense of smell gradually over a period of 1 year Since 2022. Have run from pillar to post but to no avail. ENT specialists are absolutely clueless and somehow medical science hasn't progressed much in this regard. No one knows why exactly it happened.. It could be due to covid (jan 2022) or due to a booster dose of vaccine (July 2022).

Any pointers (which work) are welcome!

On Fri, Apr 18, 2025, 9:42 PM Hari Shenoy via Silklist <[email protected]> wrote:

    Reading this note made me feel so grateful. Also, the replies from
    the rest of you will give me inspiration. Here's why:

    For all of 2024 I lost my sense of smell due to a chronic sinus
    issue. That also led to difficulties breathing, speaking, singing
    and rapping.
    I had surgery in December to get my sinuses operated on, after
    months of strong medication thatĀ didn't help with anything.

    Following recovery from theĀ surgery, I have worked to regain my
    sense of smell gradually.
    Ergo, I paid good money to experience every possible scent.

    The other day, I was at a pub in Dublin and the gents loo was
    stinking.
    My first thought was - "Jeez that stinks so bad!" My second was -
    "Yay, wow that stinks so bad!"

    Hari

    On Fri, Apr 18, 2025 at 3:03 PM Thaths via Silklist
    <[email protected]> wrote:

        Smells, more than taste (well, what is taste, but just a
        weaker way of smelling?), play the role of bringingĀ memories
        of madelines past for me.

        What are some scents from the past that you would pay good
        money to experience again?

        https://www.ft.com/content/53a3a13b-fe98-4670-9163-be659ccbf4f2


          Inside the hot market for discontinued perfume



        Very few things can be as personal, emotional and sensory
        triggering as perfume, which is why some people spend hundreds
        of pounds to get their hands on a favourite fragrance that has
        been discontinued.

        Since 2007 it has been the job of Mathieu Iannarilli, a
        Paris-based vintage perfume dealer, to track down rare scents
        for clients who spend from €150 to more than €3,000 per
        bottle. ā€œSome buyers only wear one perfume. When that is
        discontinued by a brand, from one day to the next, they find
        themselves orphaned of their olfactory identity. These people
        then turn to all possible ways to find their perfume again,ā€
        he says.

        There is no estimate for the market of vintage and
        discontinued fragrances, but demand is high. A simple search
        for ā€œdiscontinued fragrancesā€ on eBay brings up more than
        50,000 results. Among the most expensive listings are Tom Ford
        Amber Absolute ($4,300, shipped from the US), Vivienne
        Westwood Boudoir ($2,784, from Japan) and Giorgio Armani Prive
        Myrrhe ImpƩriale ($1,500, from Sweden). The market is partly
        fuelled by the craze for ā€œflankersā€ — short-term spin-offs of
        brands’ core fragrances, which are catnip for collectors.
        EstƩe Lauder Sensuous Noir, a 2008 flanker for EstƩe Lauder
        Sensuous, goes for £265 on eBay, for example, while Thierry
        Mugler A*Men Pure Malt, a version of Thierry Mugler A*Men from
        2009, goes up to more than £600.

        There are a few reasons why a fragrance might be discontinued:
        it might not be commercially successful; a long-used
        ingredient in its composition might later be banned and prove
        too difficult to substitute; or the brand itself might end its
        license or go into bankruptcy. ā€œThe prices of some fragrances
        from iconic British brands such as Vivienne Westwood and
        Stella McCartney have tripled since these brands ceased their
        perfumery business,ā€ explains Iannarilli. Other vintage
        perfumes from heritage brands such as Guerlain often reach
        high prices because they are both sought after by customers
        who want to wear them and by collectors who would preserve
        them. ā€œ[Guerlain] Djedi can exceed €3,000,ā€ says Iannarilli.

        It’s not just high-end fragrances that stoke demand. Since
        2019, Alexander Fury, fashion features editor at Another
        magazine and the FT’s men’s fashion critic, has been buying
        Ultima II Sheer Scent for his mother as a Christmas gift. The
        Revlon fragrance from 1990 was and still is her favourite, but
        was discontinued at the turn of the millennium.

        ā€œI’m not hunting for it every day, but it is something I look
        for every week or so. It has become progressively more
        difficult and progressively more expensive,ā€ he says over the
        phone. When Fury bought it the first time six years ago, the
        perfume was already selling on second-hand platforms for about
        £500. Today it can be purchased on Etsy for more than £700.

        In some cases, people are hunting for the original formulation
        of perfumes that are still on shop floors today. Starting from
        the early 2000s, regulations on cosmetics ingredients have
        become stricter, particularly in the EU, forcing many brands
        to recreate best-selling scents using alternative ingredients.
        In some cases the results have been less than satisfactory —
        at least according to some noses — prompting the hoarding of
        older bottles.

        ā€œI have a tiny bottle of Guerlain’s Mitsouko from the 1970s
        that smells completely different and so much better than
        Mitsouko does now,ā€ says Aimee Majoros, a beauty PR and
        fragrance collector from upstate New York who has worked for
        Guerlain, Givenchy, Acqua di Parma, Tommy Hilfiger and Donna
        Karan. Majoros, who learned to love perfumes from her
        grandmother, had at some point 300 bottles in her collection.
        ā€œThe best thing I have ever smelled in my life was a sample of
        L’Air du Temps by Nina Ricci from the 1960s,ā€ she continues.
        ā€œThe current formulation smells awful. I know that in the
        fragrance community people are upset when things are
        reformulated.ā€

        Claire Smith, a cell biologist based in the UK who has a
        130-rich fragrance collection (around half of them are
        discontinued) became passionate about perfume in 2019. After
        reading rave reviews online of Thierry Mugler Alien Essence
        Absolue, which had been recently discontinued, she decided to
        go on a hunt for it. ā€œIt goes for hundreds of pounds, but I
        was very, very lucky and found a good deal. For a lot of
        people it’s about the find as much as the fragrance itself,ā€
        she says. ā€œWhen I started I would only buy things that I could
        afford to lose the money for, until I learned what I was
        looking for.ā€ Her self-training included watching online
        videos comparing fake and real fragrances to learn how to spot
        them (colour is a good giveaway). Smith now has a YouTube
        channel called @dr.claire.perfume where she talks about her
        collection, explains relevant terminology and tells the
        back-story for some famous fragrances, such as Chanel No 5 or
        Robert Piguet Bandit, to her 13,900 subscribers.

        But for certain perfume collectors, the draw is not the scent
        but the bottle. Some even collect factices, the oversized
        display bottles brands used for advertising in pharmacies and
        department stores until the early 2000s. Simon Martynoff,
        owner of Galerie Martynoff in Paris, both sells and collects
        factices. Among his treasures currently on sale he lists a
        30cm-tall Nina Ricci L’air du Temps bottle for €5,200 and an
        even taller (39.5cm) decorative bottle by Baccarat of Guerlain
        Shalimar for €4,100. ā€œThere are two different consumers: one
        is a collector who wants an example of each bottle, and the
        other is an [interior] decorator,ā€ he says. Martynoff sources
        them from auctions or shops that still have them, but says
        they are becoming increasingly hard to find as the number of
        collectors increases. ā€œThe interest has gone up and you can
        see it from the prices. In the 1990s you could find some at a
        very good price, now some bottles are 30 to 50 per cent more
        expensive.ā€

        Antoine Poujol is the founder of the Perfume Art Museum in
        Paris, which houses a collection of almost 8,000 bottles,
        factices, press kits and shop catalogues. He says interest in
        collecting perfume bottles started in the 1980s, when many of
        the bottles designed by artists such as Leonor Fini (Shocking
        by Schiaparelli, 1937), Raoul Dufy (Rosine by Paul Poiret,
        c1925) and RenƩ Lalique (for Lucien Lelong, 1929) started to
        hit the 50-year mark. His goal is to ā€œkeep track of everything
        that was and is made by the key brands, because the idea is to
        trace their evolution from the start to today,ā€ he says,
        adding that his expertise has been tapped by some of the
        largest brands who want to build their own collections and
        retrace their histories.

        Poujol’s collection includes rare examples such as LancĆ“me
        Révolte, designed by Georges Delhomme in 1936, which is a
        block of raw rock crystal shaped like the Parisian
        cobblestones thrown during the French Revolution (currently
        valued between €1,000 and €2,000), but also mass-produced
        bottles that can be purchased for €50.Ā ā€œWe are in a universe
        where you have very expensive bottles, but you also have very
        nice stuff from €50 to €200, which can make a nice collection.
        You also have collectors of miniatures which go for €5, €10
        and €15,ā€ he says. ā€œThere are bottles for everyone.ā€

        After speaking to Poujol, I took out my own collection of
        perfume minis, which I used to hoard as a kid in the 1990s. I
        used to spend an unusual amount of time admiring the small
        bottles and smelling them and they are still kept in a wicker
        box in a bathroom cabinet in my childhood home. I have at
        least 40 of them, an assorted selection that includes Miss
        Dior, Gianfranco FerrƩ Gieffeffe, Fiorucci Vanilla Scent, 4711
        Cologne and La Perla Body Silk. While I’m quite sure there is
        nothing particularly rare in there, even if there were, I’m
        not sure I could part with it. It’s hard to put a price on
        something with the power to trigger such personal memories.
-- Homer: Hey, what does this job pay?
        Carl: Ā Nuthin'.
        Homer: D'oh!
        Carl: Ā Unless you're crooked.
        Homer: Woo-hoo!
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