Get thee behind me, Satan!

http://www.nytimes.com/2010/08/07/world/asia/07iht-currents.html

MUMBAI, India — In India, waiting in line is not for the soft-elbowed.

When a line becomes necessary — say, while boarding a plane — some
dutiful citizens will rise and form its initial trunk. Then, when the
trunk appears too long to some, it sprouts branches. People create
their own lines by standing next to, say, the fourth person in the
trunk and hoping that others line up behind them. This process
continues until you have a human evergreen tree, a single-file trunk
of tender fools with impatient foliage on both sides.

There is a feline quality to standing in Indian lines. Certain parts
of the man behind you — you don’t know which — brush against you in a
kind of public square spooning, the better to repel cutters. (Women do
less touching.) Still, this is no deterrent to cutters. They hover
near the line’s middle, holding papers, looking lost in a practiced
way, then slip in somewhere close to the front. When confronted, their
refrain is predictable: “Oh, I didn’t see the line.”

But in a churning India, the line has new resilience. Businesses are
becoming vigilant about enforcing queues, and a growing middle class,
more well-off and less survivalist, is often less eager to cut. In
this way, India’s experience seems to feed into a tradition of seeing
line etiquette as a marker of modernity, of graduating from chaos to
order, whims to rules, brutality to gentility, scarcity to abundance.

The reality may be more complicated, though, for in India and
elsewhere, the reigning idea of modernity involves not just an
evolution into queuing but also an evolution out. As scrums succumb to
queues, queues are succumbing to the free market.

The story of the scrum, the queue and the market begins, in most
versions, in a Hobbesian state of nature in which the scrum controlled
all. People got what they got based on their ability to push and pull,
maim and slaughter.

It required new ideas — of fairness, equality and the like — to
replace scrums with lines. Internet discussion boards are full of
stories about societies that were once terrifying free-for-alls — that
is, until progress, meaning lines, came. The idea has even been
printed in the pages of the Encyclopaedia Britannica, in a description
of queuing in Hong Kong:

“When McDonald’s opened in 1975, customers clumped around the cash
registers, shouting orders and waving money over the heads of people
in front of them. McDonald’s responded by introducing queue monitors —
young women who channeled customers into orderly lines. Queuing
subsequently became a hallmark of Hong Kong’s cosmopolitan,
middle-class culture. Older residents credit McDonald’s for
introducing the queue, a critical element in this social transition.”

James L. Watson, the Harvard scholar whose research led to the entry,
has noted that McDonald’s “did not, in fact, introduce the queue to
Hong Kong.” But such is the association between globalization and
lines in the Hong Kong imagination that the belief stuck, he has
written. This line-as-civilization notion is popular among Britons,
who sometimes boast that they invented lines. This year, their
government announced plans to make aspirants for citizenship answer
questions about “the revered British practice of forming an orderly
line for everything from buses to sandwiches,” as The Daily Telegraph
put it. But the line not only speaks of civilization. It also stands
for dysfunction: dole lines in recessions and depressions; lines in
the Soviet Union to buy basics like meat and toilet paper; lines to
get driver’s licenses worldwide; lines to register complaints; lines
in which slum-dwelling women wait to defecate behind closed doors.

Faced with such lines, humans tend to imagine progress as an escape
from linear waiting. As a FedEx advertisement put it many years ago,
“Waiting is frustrating, demoralizing, agonizing, aggravating,
annoying, time consuming and incredibly expensive.” Contained in that
last word is a hint of FedEx’s — and the modern world’s — solution:
the free market. Why wait? Just pay.

Today, Russian malls rise on the ground where Soviet lines once wound;
the more affluent villagers in developing countries buy key-locked
portable toilets to avoid the morning queue; governments issue “rush”
visas so that business travelers can jump the line for a few hundred
extra dollars. The line-jumping once reserved for the world’s
commissars is now a middle-class commodity.

You see it here in India. Even as it moves toward more orderly lines
in some spheres, the line is under attack in others, challenged by the
market. The famous Hindu temple in Tirupati, in southern India, now
has a regular idol-viewing tour and a V.I.P. one, for those who pay.
Even as new nightclubs bring rope-line culture to India, many also
sell premium memberships that let you skip the line and walk in. As
with lines over scrums, markets have much to offer over lines. They
are more efficient. They work well for those fortunate enough to have
more disposable money than free time. They mop up much of the daily
agony of waiting.

But the market also changes a culture. A line conceives of people as
citizens, presumed equal, each with an identical 24 hours a day to
spread among the lines around them. A market conceives of people as
consumers, presumed unequal, with those who can pay in front of the
others. It allocates efficiently, but it eliminates a feature of line
culture: the idea that, in line at least, we are no better than
anybody else.

In a way, the market’s spread is a return to another kind of scrum,
one in which financial, and not physical, might means right. Perhaps
one day lines will be remembered as antique, a quaint system in which
things were granted simply for having shown up early, an interlude of
relative equality between the scrums that reigned before and after.

-- 
Homer: Ee-van eht niojh -- you gotta love that crazy chorus.
Lisa: What does it mean?
Homer: Ah, it doesn't mean anything.  It's like, "rama-lama-ding-dong,"
        or, "Give peace a chance."
Sudhakar Chandra                                    Slacker Without Borders

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