[3 articles]

A History of the Red Army Faction

Daring to Struggle, Failing to Win

http://www.counterpunch.org/jacobs04102009.html

By RON JACOBS
April 10 / 12, 2009

Much has been written about the German leftist guerrilla group the 
Red Army Fraction (RAF).  Naturally, most of what has been written is 
in German.  Most of what has been written (or translated into) 
English has generally been of a sensationalist nature and composed 
mostly of information taken from the files of the German mainstream 
media and law enforcement bureaucracy.   The reasons for this 
approach include, among others, the nature of the RAF's 
politics.  Leftist in the extreme, they lay beyond the realm of what 
can be expressed in media that exists to support the capitalist 
state.  Add to this the criminal nature of their actions and the way 
lay clear for media coverage that ignored the intrinsically political 
reasons for the group and its acts.  We see a similar type of 
anti-political coverage today when the capitalist media covers the 
actions undertaken by anarchists and others at international meetings 
of the capitalist governments and imperial defense pacts like 
NATO.  By deemphasizing the politics of the protesters, the actions 
of the State seem to be a rational response to the average reader.

Although it is difficult to separate the RAF's theory from their 
actions--actions which included murder--if one does so they find an 
application of left theory that perceived the anti-imperialist 
resistance in the advanced industrial nations (First World, if you 
will) as just another part of the worldwide anti-imperialist 
movement.  It was this conclusion that the RAF used to rationalize 
their attacks on US military installations in 1972 during their 
anti-imperialist offensive..  They did not believe the Federal 
Republic of Germany (FRG) to be in a revolutionary situation, but 
justified their attacks via the argument that the US and other 
imperial forces (German and British) should be attacked wherever they 
were, not just in Vietnam or another country where they were engaged 
in overt warfare.  This approach echoed the slogan popularized by the 
Weatherman organization in the US-Bring the War Home.

I lived in Frankfurt am Main, Germany during this period.  I attended 
protests against the Vietnam War, in support of the burgeoning 
squatters movement (and against property speculation) in Frankfurt, 
against the Shah of Iran, in support of gastarbeiters rights and 
against the repressive regimes in Turkey and Greece.  I also attended 
concerts and street festivals where the German counterculture mingled 
flamboyantly with the US servicemen and adolescents that abounded in 
the country then.  When the IG Farben building and Officer's Club in 
Frankfurt am Main were attacked by the RAF, a serious security effort 
became part of our daily lives.  School buses taking us to the 
American High School  in Frankfurt were boarded by military police 
who checked out bags while other GIs used long-handled mirrors to 
check underneath the buses for explosive devices.

German police and military set up shop at airports and train 
stations, holding automatic weapons.  Autobahn exits were the site of 
roadblocks.  Wanted posters featuring the faces of the RAF members 
appeared everywhere.  The Goethe University in Frankfurt came under 
increased police surveillance, especially after the playing of a 
tape-recorded message from RAF member Ulrike Meinhof at a national 
conference there.  A protest held against the US mining of northern 
Vietnamese harbors and intensified bombing of the Vietnamese people 
was patrolled by police armed with automatic weapons.  Nonetheless, 
many of the protesters chanted "Fur den Sieg des VietCong, Bomben auf 
das Pentagon!" (For the victory of the NLF, bomb the Pentagon).  The 
following day, the Pentagon was bombed by the Weather Underground.

Recently, PM Press in California published the book The Red Army 
Faction, A Documentary History: Volume 1: Projectiles For The People. 
This voluminous work includes virtually all of the communiques and 
theoretical pamphlets published by the RAF from 1970 to 1977.  This 
period is considered the first period of the RAF--an organization 
that saw its original leadership imprisoned after the aforementioned 
bombing offensive against US military installations in 
Germany.  These members were followed by another set of individuals 
drawn to the RAF mostly through support organizations that developed 
to protest the conditions of the RAF's imprisonment and their 
eventual deaths that many still believe were state-sanctioned 
murders. Over the next two decades , hundreds of others would join 
the organization to replace those imprisoned and killed.  Besides the 
text written by the RAF, the editors have written an accompanying 
text that  provides a take on the history of post World War Two West 
Germany that has been mostly unavailable to English readers.

The RAF was an intensely sectarian organization.  They saw most of 
the rest of the German Left as revisionist or opportunist, unwilling 
to make the commitment armed struggle required.  Besides invalidating 
the gains won by the autonomist squatters' movement and other 
independent groupings, this analysis ignored the fact that other 
approaches might have been more effective in the long term.  By 
positioning itself to the left of all other leftist groups in 
Germany, the RAF insured its limited effectiveness.  Once the State 
was able to capture its primary membership and literally isolate them 
in prisons, the RAF's purpose moved away from challenging the 
imperialists to one of staying alive inside a draconian and 
psychologically debilitating prison environment.

Indeed, as this book clearly demarcates, the bulk of the work of the 
RAF in the 1970s centered around the nature of their existence in 
prison.  In what would become a harbinger of the future we live in, 
the German prison authority and its departmental ally the 
Bundeskriminalamt (BKA) developed an architecture and series of 
mechanisms designed to destroy the minds of the RAF 
prisoners.  Isolation cells painted completely in white where the 
neon light never went off.  No contact with any human for months at a 
time.  The use of informers and ultimately a trial held in a 
specially designed prison courthouse that took place without the 
defendants or their attorneys.  In addition, laws were passed that 
criminalized not only the act taken by the attorneys to defend their 
clients but also the acts of any individuals who opposed the actions 
taken by the State against the RAF prisoners.  Of course, this 
enabled the RAF to point out the unity of purpose between the right 
wing CDU-CSU West German government and the SPD (with obvious 
comparisons to the role played by the German Social Democrats after 
World War I when they used the rightwing militia known as the 
Freikorps to kill members of the revolutionary Spartacists).  Indeed, 
the special laws enacted against the RAF and its supporters contained 
many elements of laws now in existence in the US, realized most fully 
in the Patriot Act.

While the RAF was certainly successful in exposing the fundamental 
authoritarianism of the modern capitalist state through their hunger 
strikes and other actions, they did nothing towards rebuilding the 
anti-imperialist movement that the 1972 actions were conceived 
in.  This created a situation where their developing analysis of 
imperialism and the struggle against it became essentially 
moribund.  In other words, the repression by the German government 
and its allies was successful.

The editors of this work, J. Smith and André Moncourt, have created 
an intelligently political work that honestly discusses the politics 
of the Red Army Fraktion during its early years.  Their commentary 
explains the theoretical writings of the RAF from a left perspective 
and puts their politics and actions in the context of the situation 
present in Germany and the world at the time.  It is an extended work 
that is worth the commitment required to read and digest it.  Not 
only a historical document, the fact that it is history provides us 
with the ability to comprehend the phenomenon that was the RAF in 
ways not possible thirty years ago.
--

Ron Jacobs is author of The Way the Wind Blew: a history of the 
Weather Underground, which is just republished by Verso. Jacobs' 
essay on Big Bill Broonzy is featured in CounterPunch's collection on 
music, art and sex, Serpents in the Garden. His first novel, Short 
Order Frame Up, is published by Mainstay Press. He can be reached at: 
[email protected]

--------

At Least They Weren't Nazis

http://www.washingtonpost.com/wp-dyn/content/article/2009/04/10/AR2009041001086.html

Review by Marc Fisher
Sunday, April 12, 2009

BAADER-MEINHOF
The Inside Story of the R.A.F.
By Stefan Aust
Translated from the German by Anthea Bell
Oxford Univ. 457 pp. $29.95

Before 9/11, before terrorism took on a foreign face, there was 
terror chic: the Weather Underground, the Symbionese Liberation Army, 
the Black Panthers, the Baader-Meinhof Gang. This was 
intellectualized, secular terror of the sort that college radicals 
could embrace as others of their generation found thrills in rock 
music or fast cars.

In West Germany in the 1960s and '70s, memories of the Nazi years 
were fresh enough that the rebellious children of academics, clerics 
and artists could win considerable sympathy by accusing their elders 
of being too authoritarian, too (gulp) Nazi-like. The Baader-Meinhof 
gang, also known as the Red Army Faction, was a bunch of young people 
enraptured with violence, eager to upset a society that longed for 
quiet stability, and profiting from a system in which politicians 
were afraid of taking forceful actions that might recall the Nazi past.

German journalist Stefan Aust reflects that uneasy relationship with 
his country's traumatic past in his new history of the terrorist 
movement launched by Andreas Baader, Ulrike Meinhof and Gudrun 
Ensslin. Aust, for many years the editor of Der Spiegel, the German 
newsweekly, has a long history with the RAF. He even played a bit 
part in one of the gang's exploits, helping to retrieve Meinhof's 
young twins from a Palestinian orphans' camp after she had abandoned 
the girls there. But the writer, who calls himself a "participating 
observer" in the leftist movement, never details his relationship 
with the gang members and gives only a few clues to his own take on 
the RAF's years of bank robberies, kidnappings, murders and bombings.

The RAF killed 28 people during seven years of intense activity in 
the '70s; even after the suicides of its founding members in prison 
in 1977, remnants of the group kept up the bombings sporadically 
until 1991. In 1998, the gang's last communique declared its era 
"history," adding that "the end of this project shows that we cannot 
succeed." But the RAF's early actions -- as well as a 44-day ordeal 
in the autumn of 1977 that included the kidnapping of a prominent 
industrialist and the hijacking of a Lufthansa jet full of German 
tourists -- still loom larger in Germany today than the Weather 
Underground bombings of the early 1970s do in the United States.

This is essentially the third time in three decades that Aust has 
written this book; each time, he updates with new reporting, focusing 
to a startling degree on whether and how German authorities bugged 
the gang's prison cells. Somehow, Aust and a still-ambivalent German 
populace continue to struggle with questions of purity: He seems 
shocked that his own government might have listened in on 
confidential conversations between the convicted terrorists and their 
lawyers, even though those lawyers were smuggling weapons, other 
contraband and information in and out of the prison.

As appalled as many Germans were by the gang's violence, they found 
the terrorists fascinating, a weakness the terrorists exploited. 
After a dramatic escape from state custody in 1970, Baader and his 
comrades contacted a French journalist and put on a show for her over 
tea and strawberries before fleeing to a Palestinian terror training 
camp. The West German government coddled the gang for years; early 
on, a court found two members not guilty of arson, ruling that their 
leaflets calling for the burning of department stores were merely "satire."

"If you throw a stone, it's a crime," Meinhof wrote in 1968. "If a 
thousand stones are thrown, that's political." She knew her audience. 
The gang's incoherent blend of liberation, rebellion, nihilism and 
suicide had some appeal in a country desperate to break with its 
past. In prison, the gang members gave each other code names taken 
from "Moby-Dick," fancying themselves as part of Ahab's pursuit of 
the Leviathan, in this case, the evil state.

Aust seems to buy into that sense of romance, especially in a 
riveting, hour-by-hour account of the RAF's most dramatic crimes that 
takes up most of the book's second half. He acknowledges only briefly 
that what the gang really achieved was exactly what it claimed to 
oppose: a huge expansion of state power in the form of surveillance 
tactics, computerized policing, fortified courtrooms, high-security 
prisons and much tougher anti-terror laws.

The truth is not at the heart of this telling of the gang's story, 
but it emerges nonetheless: Strip away the soap opera and the high 
school intellectualism, and what remains is a simple tale of thugs in 
love with violence.
--

Marc Fisher, a Washington Post columnist and the paper's bureau chief 
in Germany from 1989 to 1993, is the author of "After the Wall: 
Germany, the Germans and the Burdens of History."

--------

A Few Questions For Stefan Aust

http://blog.oup.com/2009/04/stefan-aust/

April 9, 2009

Richard Huffman is the editor of www.baader-meinhof.com and has been 
studying the Baader-Meinhof era for more than a decade. Huffman's 
father was targeted by left-wing German terrorists in the early 1970s 
for his role as the head of the US Army's Berlin Brigade Bomb 
Disposal Unit, and this personal history was the impetus inspiring 
Huffman's initial research. Huffman is working on "The Gun Speaks: 
The Baader-Meinhof Gang at the Dawn of Terror," due in 2010.  In the 
Q&A below he talks with Stefan Aust, author of Baader-Meinhof: The 
Inside Story of the R.A.F.  Aust is a journalist and editor living in 
Germany.  In Aust's book, originally published in Germany in 1985, we 
learn the fascinating history of a few young, idealistic Vietnam War 
protestors who became the masterminds behind a decades-long "campaign 
of liberation" marked by bombings, kidnapping, and murder.
--

Richard Huffman: Given your background as an editor of konkret and 
your previous friendship with Ulrike Meinhof, I've always wondered 
how the original version of your book was received by the left when 
it first came out. Though you did not explicitly state it at the 
time, your book very conclusively seemed to demonstrate that the 
strange deaths in Stammheim prison were in fact suicides; yet it 
seems to be an article of faith amongst leftists that Baader, 
Ensslin, and Raspe were murdered. How was your book received by the 
left at the time? And has that changed with the new edition, 
especially now that you clearly state that their deaths were suicides?

Stefan Aust: When the book first came out in 1985, a lot of copies 
were being bought by RAF members who were sitting in jail. Some of 
them learned about the first generation of the group mainly by 
reading the book. But that didn't stop them ­ or their sympathizers ­ 
from being very critical of it. On a talk show, Hans Christian 
Ströbele, who was a former RAF lawyer and later a member of 
parliament (The Green Party), said that Baader and Meinhof would roll 
over in their graves if they read the book.

There were two major points against the book: First, I made it quite 
clear that all my research had led me to conclude that the strange 
deaths in Stammheim were suicides. Despite the skepticism surrounding 
the official investigation, there were no signs of involvement by 
anyone from the outside. The second critical point was that I 
humanized the revolutionaries. Critics called that an un-political 
approach. In fact, from a different angle, it was the same argument 
that came from the political right: I made human beings out of murderers.

After more than 20 years I now have the feeling that even people from 
the left see the book as a rather fair and correct work of 
journalism. Now their main argument is that the book has the 
"Deutungshoheit" about the subject ­ which means something like 
opinion leadership about the subject of RAF-Terrorism.

Huffman: I'm often struck by the number of people who romanticize the 
leaders of the RAF, without understanding the devastation that they 
wrought. The Baader-Meinhof Complex, the Oscar-Nominee movie that you 
wrote last year, was accused of glorifying terrorism. What are your 
thoughts about those criticisms? Is there even a way to portray the 
Baader-Meinhof saga without being accused of glorifying or 
romanticizing terrorism?

Aust: The moment you write or make films about groups like the RAF 
you support their "immorality." I wanted to portray this group as 
accurately as possible. It would be impossible for a book reader or 
film viewer to understand why so many people followed them if they 
were portrayed only as villains and criminals. It was their charisma 
that made them so dangerous. One of the reasons why we showed the 
group's bombings and killings in such detail was that we wanted to 
explain what terrorism really is: the terror and killing of people­ 
of human beings­ not of lifeless "character masks." The aim was to 
make viewers understand why people of such high moral standards 
turned into ruthless killers, how "hyper moral" turned into immorality.

Huffman: Do you see any homegrown, leftwing terrorist movements 
taking root in Europe or America again? I've often felt that one of 
the reasons that the Baader-Meinhof Group was able to rise to 
prominence early in the 70s was partially because of ineffective 
police work. It seems to me that in the modern climate, particularly 
since 9/11, it would be extremely hard for any band of urban 
revolutionaries to wage a similar war without being quickly caught. 
Do you agree? What kind of left-wing radical movement COULD succeed?

Aust: Any kind of terrorist activity is always a part of a bigger 
radical movement. A terrorist group can evolve only when a bigger 
radical movement of any kind exists ­ left, right, nationalist or 
religious. Organizations like al Qaeda can only function from inside 
a global Islamist movement. Similarly the RAF was a part of the 
radical left in Germany, at least in the beginning. And only if this 
terrorist group is embedded in a major movement can it have enough 
supporters to operate for a longer period of time. The members of the 
RAF were mainly arrested because normal people ­ even leftists ­ 
called the police. The enormous buildup of the police and the 
security agencies in Germany could not have been as effective without 
the cooperation of the people.

The only way for a left-wing radical movement to succeed is by using 
the power of convincing the people rather than employing violence of any kind.

Huffman: I think the single hardest concept for me­an American living 
in the early 21st century­to understand is the notion that the 
members of the RAF felt that by attacking the state, and having the 
state respond with massive retaliation, that there would be an 
enormous number of German people who would then take up their cause 
and overthrow the state. It just seems utterly delusional, especially 
coming from clearly intelligent people. How could they get to the 
point where this seemed rational?

Aust: I can only quote Ulrike Meinhof who often said, "wie kommt die 
Dummheit in die Intelligenz?," which means "how can stupidity invade 
intelligence?" The first mistake the RAF made was not seeing reality. 
For me the whole struggle from the very beginning of my research was 
to realizing that the RAF had a quasi-religious character more than a 
rational political character. To think that in Germany the masses 
would overthrow the capitalist system was completely irrational. I 
cannot believe that they really believed that. Rather, they acted 
like political or religious martyrs to show that the state was as 
brutal as they thought it was. It was an experiment with their own ­ 
and others ­ lives.

Huffman: What was Ulrike Meinhof like as a person before going 
underground? Reading her konkret essays in chronological order, I am 
struck by how much more hardened, desperate, and humorless she became 
in her later columns. Was she like that in her personal life? Did she 
have fun and socialize? Did she seem like she had an internal conflict?

Aust: Ulrike was a very impressive person. She was well-educated and 
could get her point across very convincingly. At the same time she 
was quite an intolerant individual who thought she knew things better 
than others. If someone did not agree with her views then this person 
was considered "unpolitisch", un-political. She also had a depressive 
personality. She suffered under the injustice of the world. And 
sometimes I had the feeling that she was kind of masochistic. Take a 
look at the letter she wrote in prison "A hypocritical bitch from the 
ruling class" (on page 203).

However, people of the liberal movement adored her, and she 
socialized a lot during her time in Hamburg and with konkret, where 
at this time she wrote about the poor, about people in sweat shops 
and in prison. In the end she could not live in these two worlds. 
When she went to Berlin she grew more and more depressed. Ultimately, 
I think her involvement in the RAF was due to many personal and 
psychological reasons.

Huffman: Tell me about having your work realized on the big screen. 
Were you a major part of the production of "the Baader-Meinhof 
Complex" during its filming? I was particularly struck by the 
production design; it seemed simply perfect, especially the Free 
University rally, and the Stammheim scenes (though I couldn't help 
but notice that the BMW 2002 used for the 1971 Petra Schelm shooting 
scene was a 1974 BMW!). Did the film come out the way you had hoped? 
What was it like to see someone playing yourself on screen?

Aust: I wrote a first draft of the script that Bernd Eichinger 
subsequently finalized. We discussed every scene of the film and used 
a lot of photos and film footage in order to be as accurate as 
possible. For example, in the scene where Rudi Dutschke was at the 
Vietnam Congress, the actor wore the same exact shirt that the real 
Rudi had worn. We shot the scenes at the Technische Universität 
Berlin in the original Audimax. We shot the scenes for the visit of 
the Shah in front of the real Berlin Opera, the Stammheim scenes were 
shot in the original Stammheim court room, the dialogues in prison 
are from the original transcript, etc. So we tried to be as accurate 
as possible. But there are certainly mistakes. For example, I do not 
know whether the BMW is authentic or not ­ but I have the impression 
the helicopter over Stammheim prison is a later model.

It was funny to see an actor playing my part. Let my put it this way: 
I did not know that I was so attractive then. I'm also afraid that 
the actors are actually more attractive than the originals were.

Huffman: A lingering question about the deaths in Stammheim: You make 
a definitive case for the likelihood that the prisoners committed 
suicide. I've never understood how the officers on duty failed to 
hear the three gunshots. Having seen the layout of the prison block 
in both of your Baader-Meinhof films ("Stammheim" and "The 
Baader-Meinhof Complex"), I can't understand how these shots could 
not have been heard. Am I missing something?

Aust: That is one of the mysteries. Not even the prisoners on the 
sixth floor directly under the high security tract heard anything. It 
would be interesting to test out whether shots can be heard from below.

Huffman: By my accounting, you've written (and revised twice) the 
definitive book about the Red Army Faction, you've written two major 
films about the group, produced a major TV documentary about the 
group, and have overseen dozens and dozens of retrospective articles 
in Der Spiegel about the group. Is this current revision of your book 
and the companion film the end of it for you? Do you see interest in 
the public or even your own interest in this subject continuing?

Aust: If you open one door it leads to another. It is definitely not 
the end, and one of the mysteries that has not yet been solved is the 
question about whether the prisoners were wire-tapped in their cells. 
There is a lot of evidence that supports this but no definitive proof 
has been found so far. This would raise another question regarding 
whether there are any tapes of the suicide night, which is something 
that I am currently working on finding out.

Huffman: I was struck by the reaction of Juergen Ponto's widow to the 
film. She was upset because she felt that the facts of her husband's 
murder were incorrectly presented in the film. It seemed to me that 
her real quarrel was that her husband's murderers were being brought 
up yet again in the popular culture without any acknowledgment of the 
devastation they created. It seems like the specific victims of the 
RAF are often completely forgotten about. Do you think the coverage 
of the RAF has focused too much on the romantic aspects of their 
story at the expense of the brutal violence that the utilized?

Aust: The scenes about Ponto's murder were written and filmed 
according to the verdict against Christian Klar and Brigitte 
Mohnhaupt. It was very close to reality, although the house and the 
interior looked different, and we did not shoot in the original Ponto 
villa. The more detailed the film would have been to the real scene, 
the more shocking it would have been to the family. Of course, it is 
always very hard for relatives to see the murder of loved ones 
represented and re-enacted onscreen. They always have a different 
memory of such a terrible experience, which is completely 
understandable and a natural problem of filmmaking. But this would 
mean that journalists and filmmakers would not be able to accurately 
portray the events as they really happened, so there really is no 
easy way out. If we would not have shown murder as murder and terror 
as terror the critics would have said that the film portrayed 
terrorism as harmless.

.


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