Stranger Than Fiction

http://www.seemagazine.com/article/music/music-feature/stranger-than-fiction-4434/

Fresh documentary examines the wild and crazy life of Jim Morrisson

Published July 15, 2010
by Curtis Wright

Save for the opening scene, and the other fictional 'flashbacks' which awkwardly pop up throughout, The Doors documentary, When You're Strange, starts off with a hippie bang. Vintage images of JFK, Vietnam and, more importantly to this particular film/band, peace-waving video of the very counter culture that paved the flower garden for The Doors is narrated over by a very passionate and amusingly sedate, Johnny Depp. As Depp describes the scene of the 1960's with lively detail, we are swept away into an era of young generation that would embrace the legendary band.

And like anything you'll read or watch about the band, Jim Morrison is the absolute, colourful focus of the film, which is ultimately a tad discouraging. His mysterious off-stage words are heard nearly as much as Depp's narration, and, with this, Morrison's sinewy image is pressed further into rock and roll's frontman-centric psyche. I suppose we can all see the appeal of Morrison and his historically tripped out ways and, I suppose, in many ways Morrison is the ultimate rock frontman: confident, brash, misunderstood, wild, uninterested, and continuously on 'five sheets of high-powered blotter acid, a salt shaker half full of cocaine, and a whole galaxy of multi-colored uppers, downers, screamers, laughers'…you get the idea. However, the concentration on Morrison as a man and an icon leaves the other members in the dark and creates the illusion where it becomes more about an image, and less about the entire band's music. Surely you'll draw your own conclusions here.

Director Tom DiCillo's fortune lies in the raw, before-unseen, archival footage that luridly displays the band throughout their wild journey to stardom (which for obvious reasons focused mainly on the stardom, not the journey). And for someone young enough to not remember those days, it's always nice to watch something that your parents grew up with (and wonder what exactly they were up to in their youthful days). Like, for instance, the classic Ed Sullivan appearance where the famous host requested that Morrison not mention how he and a now legendary female couldn't get much higher.

When You're Strange is an absolute must for fans of the 'frenzied trapeze artist,' Jim Morrison first, Doors fans second and third, anyone who cannot get enough of rock history. As the pulses of Ray Manzarek's stunning keyboard work (especially the way he created a bassline in their songs), the insanely jazz-inspired drums of John Densmore, and the fuzzy guitar work of Robby Krieger float through the film, you're reminded of just how remarkable the support of Morisson's flamboyant, ego-driven persona and wild poetry really was. The Doors are completely synonymous with Jim Morrison, which is a bit much, but unfortunately he was and is the only real draw for many. When it's not an entirely dedicated Jim Morrison spectacle, When You're Strange is full of significant footage and famously acidic band performances ­­­ and when these shine through, it's great.

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