Angelheaded Hipsters

As a teenager at a British public school where marijuana was more
readily available than fresh vegetables, my ambitions were to become a
poet and a hippie. How my younger self would despise the creature I have
become – a harassed old hack who votes Conservative, couldn’t write a
poem if he tried and now indulges in nothing stronger than coffee and
cigarettes.

My heroes in those days were rock stars and the American Beat writers.
Now I sometimes find Radio 2 a little too cutting-edge for my tastes,
and I would far rather read a detective story than a poem by Allen
Ginsberg or a novel by Jack Kerouac.

But the heroes of my youth still hold a strange allure, and the National
Theatre is currently staging a fine exhibition that will bring back
vivid memories to anyone who ever dreamed of driving across America in a
beat-up car, boarding the bus for the Merry Pranksters’ acid tests, and
hanging out with William S Burroughs.

Angelheaded Hipsters largely consists of Allen Ginsberg’s photographs of
himself and his friends, among them Burroughs, Kerouac and the poets
Gregory Corso and Lawrence Ferlinghetti. Burroughs was older than the
rest of them, and has always struck me as a deeply sinister figure, an
impression Ginsberg’s pictures do little to dispel. But the photos of
the others catch the excitement of youth, breaking the rules, and taking
on the world.

Yet you also see the years taking their revenge, with Kerouac
transformed into a bloated drunk and Ginsberg turning into a fawning
court jester to the likes of Dylan and Madonna.

Leaving this exhibition, I was glad to have re-encountered the heroes of
my youth, but even gladder to be catching the train home to safe
suburban Surrey and a nice cup of tea.

Angelheaded Hipsters is at the NT until 20 March. Info:
nationaltheatre.org.uk

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http://www.telegraph.co.uk/culture/books/8292979/Angelheaded-Hipsters-from-hipster-to-home-loving-boy.html
Via InstaFetch

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