Rave culture and style

                                by Sara Melvi, queensjournal.ca
March 11th 2011                                                                 
                                                                                
                                                                        

Just a few short years ago, the concept of an international headlining DJ 
passing through Kingston on tour was unheard of. Intense dancing to dubstep or 
drum&base would have been regarded as alternative chaos. Thankfully, Kingston’s 
electro-party-raving scene has expanded well beyond Steve Aoki’s overplayed 
annual show. European DJs like Avicii and Skrillex, Canadian DJs like Designer 
Drugs and Zed’s Dead, and an explosion of student DJs such as Alfie’s 
Wednesday’s iKilledKenny have dominated the party scene this year. Too bad 
their set doesn’t extend into the fateful hours of the after party.

With thousands of students attending rave-based shows where water is the new 
vodka-cran, there’s a noticeable and dynamic shift in the fashion style of 
partygoers. Nowhere in site are preppy girls in low-rise jeans sipping beer 
from red plastic cups and bopping around to Journey. Club cultures are 
transient, ‘ad hoc’ communities that define themselves through shared tastes in 
music. Raver’s sport lively and unique outfits that parallel the symbolic and 
embodied experience of the electronic music they love. Vibrant neon colours, 
vintage sunglasses, costume apparel, accessories like pacifiers or slinky’s, 
and edgy textures like mesh, sequins, ripped denim and lace-up boots are 
ever-present.

Although rave culture has significantly transformed since it’s underground 
emergence in abandoned British warehouses, the style still carries a similar 
message of youth-subculture resistance. North American ravers have been 
compared to the hippies of the 1960s and the new-waves of the 80s due to their 
interest in non-violence, free love and music. Wearing clothing that you can’t 
dress in at work or in a lecture can be a liberating experience, just like 
losing your mind and body in the throngs of pulsing and blasting beatz. Is rave 
style anti-‘the man?’ Or is it just a fun way to express your personal look? 
Below are profiles of a few Queen’s student rave-goers, so see for yourself!

Greg Hovanessian, ArtSci ’12 and Kalina Sutaroski, ArtSci ’12 are a 
‘dance-till-your-dead’ power couple that have hit up almost every show this 
year, and start a dance circle wherever they go. Although both Havanessian and 
Sutaroski practice a wide variety of dances, such as hip hop and break dancing, 
they contend that raving has its own genre of dance and style of expression. 
Hovanessian describes his look as grimy and raw, and likes to make a statement.

“You almost want to come off kind of intimidating, but intriguing and the right 
amount of approachable.”

He also said being colourful is essential, but to the point where it’s not 
overdone.

“My favourite show was LA Riots at Joy in second year. I wore black skinny 
jeans with these high tops, a long chain necklace, my Raybans, and I had finger 
cut-off leather gloves,” he said. “The energy in the club just says it all 
really.”

Sutaroski likes wearing anything that gets a reaction out of people. If someone 
asks, “why are you wearing that?” she said she knows it’s a good outfit.

“Every time I get dressed, I don’t ask for my housemates advice,” she said. 
“They normally give me weird looks.” She describes her style as dirty royalty.

“You gotta wear something steazy, you know? I like bringing my style of dance 
to raves. And I like to bring more of the classy aspects to rave, like 
sassiness,” she said.

And the badass hair that turns heads everywhere she goes?

“I feel like my hair emulates the whole rave look in itself. It brings back the 
whole punk look from the 80s. I love my Mohawk.” Sutaroski said.

Moving over to the more playful, hippie ravegirl look, I met Hadley Taylor, 
ArtSci ’11 and Julia Jones, ArtSci ’12 at the Zed’s Dead show during Frost 
Week. Toronto’s dubstep-based DJs set up their show in a church just north of 
Princess. Hadley wore black high waisted pants, a crop top and one feather 
earring. It was an intimate and unique venue. Raving in between pews and with 
Jesus hovering over the mosh of dancers was a paradox in itself!

Taylor says she always tries to look a bit silly because raves are not a place 
to take yourself seriously at. “I’m always wearing fun textures, like fur, 
sequins, silk, lace, velvet, and shoes to be able to rock out in. Heels do not 
belong at raves. Lipstick always. And really bright nail polish. At least one 
thing that glows in the dark, should there be a black light. You need something 
noticeable so your friends can find you in the dark!”

Cynthia Oh, ArtSci ’12 and the wesavetherave.com photographer said there are no 
words to describe her style. She said she gets looks from electro music blogs, 
and is inspired by designers like Vivienne Westwood, Jeremy Scott and Korean 
designers like Kuho.

“I just mix everything. Sometimes I try to be edgy and sometimes I try to be 
retro, or vintage-y. I just be myself and love to dance,” she said. Cynthia 
said she thinks the Queen’s rave scene is still in its infancy.

“I don’t think that people know about a lot of DJ’s or artists, but they just 
go to have fun and party with their friends,” she said. “Queen’s kids need to 
study more about the scene, but I do think its getting big and improving day by 
day.”

Syd Senecal-Tremblay, ArtSci ’12, describes his grungy look as monochromatic.

Unlike his fellow ravers who stock up on sunglasses at Urban Outfitters 
bi-weekly, he said, “pretensions arise out impracticality so I won’t ever wear 
sunglasses inside or anything like that. But letting my 13.5” of pure lion mane 
down can be rad.”

Keith Niine, ArtSci ’12 and a born-Burhmese-gone-rave-kid describes his style 
as ‘homeless comfort chic.’ Since music at raves is fluid and continuous, 
accessories for a more sensual and dynamic experience are necessary. Niine said 
his essential accessory for any night is his pack of ciggys and his blackberry, 
not to mention sailor hats, stress rings, long necklaces and white freezies.

“Style is definitely more about individuality and how I’m feeling so when I 
dress for a show, my outfit is based on my mood that day and the songs I’ve 
listened to while dressing,” he said. “Either that or I just throw on the most 
random assortment of shit I see in my closet and run out the house.”

When asked about how he feels about Queen’s rave culture and emerging style, 
Niine said, “It’s actually a bottom up approach in terms of the culture and 
emerging style. When I first came to Queen’s I didn’t really see a lot of great 
street fashion or style but four years later with the increase of shows each 
term, I’m starting to see a lot more personal style trickling out of the shows. 
I think it’s a symbiotic relationship and that’s great!”

So head over to Value Village for some wild pieces, Dollarama for glowsticks 
and American Apparel for your basic neon. Then you’ll be ready to pop, drop 
and roll.

                                                                                
                                                                                
                                                                                
                                                                                
                                        

Original Page: 
http://www.queensjournal.ca/story/2011-03-11/supplement/rave-culture-and-style/

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