What about a pass or a group with an AO material and generate the
rendermap from that ? When it's done you should be able to multiply the
result with your various materials either in compositing or even with an
override.
Le 15/10/2012 17:25, Chris Marshall a écrit :
right. The reason it's on the camera is I wanted it to be a global
effect on a load of materials that were already set up. It was the
easiest way.
No worries, I'll just work my way through and rendermap each with the
AO. It's just a hassle to then photoshop all of them as well.
On 15 October 2012 14:31, James De Colling <[email protected]
<mailto:[email protected]>> wrote:
on camera? as far as I know camera / lens shaders wont work with
rendermap. hence why things like photographic exposure etc wont
rendermap
On Monday, October 15, 2012, Chris Marshall wrote:
Thanks but I have no idea how to compute the AO in ICE!?
Also,James, I'm not sure what you're suggesting? My AO is set
on the camera. i don't want to go through each material and
re-apply it as that's a big headache.
On 15 October 2012 06:22, Leonard Koch
<[email protected]> wrote:
I recently solved this by computing AO in ice and using
that vertex map in the rendertree which put the AO
directly in the color map and was also a lot faster. It's
resolution dependant of course, but a bit of simple
laplacian smoothing goes a long way.
On Oct 12, 2012 5:43 PM, "Chris Marshall"
<[email protected]> wrote:
Hello,
Haven't done much rendermap stuff before, but we're
outputting some assets for a game engine. It appears
that to render ambient occlusion into the rendered
texture map, it has to be done as a separate pass then
photoshopped together? As I have quite a few objects
to generate these maps for, this is doubling my
workload. Is there a way around this and render the AO
in with the Surface Colour and Illumination map, or am
I approaching this in the wrong way?
Thanks
Chris
--
Chris Marshall
Mint Motion Limited
029 20 37 27 57
07730 533 115
www.mintmotion.co.uk <http://www.mintmotion.co.uk>
