Indeed, I was also hoping for other key high profile post production facilities 
to be at the forefront together with Glassworks in an official way.

Jordi Bares
[email protected]

On 13 Mar 2014, at 17:42, Rob Wuijster <[email protected]> wrote:

> Kudos for writing that letter Alastair!
> I hope there will be more noise on the web, so AD has to listen more 
> carefully what is happening atm...
>  Rob
> 
> \/-------------\/----------------\/
> On 13-3-2014 17:20, Alastair Hearsum wrote:
>> Folks
>> 
>> This letter precipitated a little bit of publicity
>> 
>> http://www.creativebloq.com/3d/rip-softimage-reaction-autodesks-decision-kill-3d-software-31410967
>> 
>> Alastair
>> 
>> Alastair Hearsum
>> Head of 3d
>> 
>> 33/34 Great Pulteney Street
>> London
>> W1F 9NP
>> +44 (0)20 7434 1182
>> glassworks.co.uk
>> Glassworks Terms and Conditions of Sale can be found at glassworks.co.uk
>> (Company registered in England with number 04759979. Registered office 25 
>> Harley Street, London, W1G 9BR. VAT registration number: 867290000)
>> Please consider the environment before you print this email.
>> DISCLAIMER: This e-mail and attachments are strictly privileged, private and 
>> confidential and are intended solely for the stated recipient(s). Any views 
>> or opinions presented are solely those of the author and do not necessarily 
>> represent those of the Company. If you are not the intended recipient, be 
>> advised that you have received this e-mail in error and that any use, 
>> dissemination, forwarding, printing, or copying of this e-mail is strictly 
>> prohibited. If this transmission is received in error please kindly return 
>> it to the sender and delete this message from your system.
>> On 10/03/2014 10:20, Alastair Hearsum wrote:
>>> Folks
>>> Dan Y and other folks, I hope this comes across as firm but reasonable. I 
>>> will post it on other appropriate sites. Any ideas on that front?
>>> 
>>> An
>>> 
>>> 
>>>               open letter to Autodesk.
>>> 
>>> Dear
>>> 
>>> 
>>>               Autodesk
>>> 
>>> My
>>> 
>>> 
>>>               name is Alastair Hearsum. I’m a founding partner, director
>>>               and head of 3d at Glassworks. If you haven’t heard of us,
>>>               we are a small to midsized company which has been creating
>>>               VFX and animation for TV commercials for markets around
>>>               the world, for the past 20 years. We have branches in
>>>               London, Amsterdam and Barcelona. We create innovative and
>>>               multi award winning work and we use Softimage.
>>> 
>>> Your
>>> 
>>> 
>>>               announcement that you are retiring Softimage has left us
>>>               saddened, disappointed and not a little angry. The anger
>>>               for two reasons; that you have shot the racehorse of the
>>>               3d software world in the head in its prime but also that
>>>               you didn’t consult with us about this assassination or
>>>               discuss any of your plans for the future with us. We have
>>>               no idea what the future from you holds. We are big and
>>>               longstanding users of other Autodesk products as well as
>>>               Softimage. The puzzling thing is, technologically
>>>               speaking, there was no writing on the wall as there was
>>>               with Henry and Flame, for example, or these days with
>>>               Flame and Nuke. 
>>> 
>>> We
>>> 
>>> 
>>>               have been punching above our weight, in London, for the
>>>               past 20 years competing well with the much larger
>>>               organisations of MPC, Framestore and The Mill. One of the
>>>               reasons we have been able to do that, apart from the deep
>>>               talent of our crew is, I believe, because of the software
>>>               that we chose. I’m nearly 150 years old  now but I still
>>>               sit at the computer making pictures for TV commercials to
>>>               the same arduous schedule that I always have. So I know
>>>               what I’m talking about. For a period a few years back we
>>>               had a 50/50 split of Maya and Softimage. We chose to go
>>>               100% Softimage. Its better for the work that we do and the
>>>               sector we are in. Its no coincidence that all the
>>>               finalists in the recent British Animation Awards (tv
>>>               commercials) did their work in Softimage. Similarly, both
>>>               silver and gold award winners in the 3d animation category
>>>               at this year’s British Television Advertising Craft awards
>>>               were Softimage companies.
>>> 
>>> You
>>> 
>>> 
>>>               may well go on to list major work that’s been done in
>>>               Maya. Sure there has, and great work too. But Maya is used
>>>               as a shell in the major film effect companies. It is
>>>               heavily customised and unrecognisable as the product you
>>>               ship. We have our proprietary software and tailored
>>>               workflow as well, but Softimage remains pretty much
>>>               untouched. It is lean, efficient, and the ICE environment
>>>               is innovative and empowering. 
>>> 
>>> So
>>> 
>>> 
>>>               you’ve done it. What’s next? Like I said we have had vague
>>>               information about what the future holds. We hear rumours
>>>               about bi-frost and that’s about it. From what I understand
>>>               from various sources there are no plans to replicate the
>>>               efficient workflow and full ice functionality that made us
>>>               so productive. You have offered free transitionary
>>>               licenses of Maya with the threat of having to discontinue
>>>               using Softimage in 2 years time. 
>>> 
>>> 
>>> The
>>> 
>>> 
>>>               final thought is not just about what software is best for
>>>               our future but also about what sort of software supply
>>>               company we want to get into bed with. The attributes that
>>>               come top of my list: listening to customers, acting on
>>>               their recommendations, speedy development, innovation. Now
>>>               does that sound like you?
>>> 
>>> Alastair
>>> 
>>> 
>>>               Hearsum
>>> Glassworks.
>>> 
>>> 
>>> 
>>> -- 
>>> Alastair Hearsum
>>> Head of 3d
>>> 
>>> 33/34 Great Pulteney Street
>>> London
>>> W1F 9NP
>>> +44 (0)20 7434 1182
>>> glassworks.co.uk
>>> Glassworks Terms and Conditions of Sale can be found at glassworks.co.uk
>>> (Company registered in England with number 04759979. Registered office 25 
>>> Harley Street, London, W1G 9BR. VAT registration number: 867290000)
>>> Please consider the environment before you print this email.
>>> DISCLAIMER: This e-mail and attachments are strictly privileged, private 
>>> and confidential and are intended solely for the stated recipient(s). Any 
>>> views or opinions presented are solely those of the author and do not 
>>> necessarily represent those of the Company. If you are not the intended 
>>> recipient, be advised that you have received this e-mail in error and that 
>>> any use, dissemination, forwarding, printing, or copying of this e-mail is 
>>> strictly prohibited. If this transmission is received in error please 
>>> kindly return it to the sender and delete this message from your system.
>> 
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>> 
> 

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