For years I transported my tripod as checked baggage in a padded tube
when flying.  In fact, sometimes I would need two tripods while on
assignment, and would nest the two together end-to-end so that their legs
intertwined like mating squids (don't ask me if I watch squids mating--it
just sounded like a good analogy).  I would remove the center columns
first, and stick them down along the side of the mated "squids" inside
the tube.  The tube had a handle in the middle for balanced carrying by
hand, and I installed a sling for over-the-shoulder hands-free carrying. 
With a single tripod I could get three small light stands inside the tube
as well.

In later years when my assignments required lighting set-ups with big
light stands, I did the same squid-mating thing with the tripod legs and
light stands, then wrapped them in thick foam padding secured with
parachute cord.  This bundle then went into a zippered canvas carrying
case for shipment as checked baggage. The heavy foam padding was to
protect the tripod and stands as much as to protect the bag's zipper, as
a sharp blow or heavy weight on top of the bag could cause the zipper to
become crushed or ripped loose by the tripod legs or head, or the angled
corner of a light stand.   Again, a sling provided hands-free shoulder
carrying.

The full-length zipper had two zipping mechanisms that would be joined in
the center.  When unzipped the bag lay flat, making the loading of
equipment into it a breeze.  I told all of our people at work to be sure
that they zippered BOTH zipping mechanisms into the middle of the bag
when travelling, and not to use just one zipping mechanism along the
entire length of the zipper so that both "tabs" met at one end instead of
in the middle (this closure "tab" mechanism has a formal name that
escapes me right now--a zipper foot?).  We would secure the two zipper
pull-tabs with a heavy piece of twisted wire to prevent the zippers from
opening, but a small padlock would work just as well for more security.

Of course, one of our know-it-all photographers ignored my edict and
zipped his bag all the way to the end, and some rough handling by the
airline broke the zipper teeth at the end near both closed zippers.  This
resulted in the bag being unable to be zipped open, as both zipping
mechanisms were "land-locked" above the broken zipper.  The zipper was
damaged beyond repair, but it could have been sewn shut at that point,
and the two zipping mechanisms could have worked OK all along the
remaining length of the bag had the two zipper mechanisms been in the
middle of the bag instead of at one end when the damage occurred.  Had he
followed instructions the bag would have been usable, but in that state
the bag had to be torn open to get the light stands out and the bag
thrown away.

I almost always travelled alone on photo shoots, so I made every attempt
to pack and carry all of my photo gear and suitcase by myself without
redcaps, etc.  I use a heavy-duty (up to 400 pound payload) two-wheel
luggage cart which goes either as carry-on or checked baggage, depending
on how many cases I am taking with me.  I always have a shoulder bag as
my travelling briefcase, and carry the tripod tube/bag over my other
shoulder as it is nearly impossible to attach it to the cart when it has
been filled with camera cases.  At times I have travelled alone with
eight cases of gear, plus the briefcase, cart and tube.  My excess
baggage charges usually were more than my plane tickets!  John B. Corns
--> SPORRS: Serious Photographers of Railroad Related Subjects

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