Bryan, if you will recall, CSXTransportation already had its share of
so-called "stealth" locomotives, and wants no more of them for reasons of
increased safety and visibility.

In fact, at  6:30 a.m on May 12, 1986, I coined the phrase "stealth
locomotive" when I "saw" CSXTransportation GP40-2 #6382 as it rounded a
curve at Elkatowa coal tipple down in Kentucky during the first photo
shoot with CSXT's then-new blue and gray locomotive paint scheme.  At
first, in the distance I saw two beige-colored CSXT covered hoppers
apparently rolling along by themselves in the pre-dawn mist, and I
immediately thought that they were run-aways.  But just then the #6382
came 'round the bend toward me with the cars and I saw its headlight--and
that was all--until it got about 20 feet from us.  I had seen the beige
hoppers from a distance of 600-700 feet, but, except for its headlight,
the blue and gray locomotive was invisible until it was right on top of
me.

I joked with the other CSX photographers there that our new "stealth"
locomotive was just like the all-but-invisible stealth Air Force plane
then-rumored to exist.  We all laughed, but we kept my joke to ourselves
lest our bosses heard us laughing at their beloved new paint scheme.  In
my office in Baltimore we always called CSXT's blue and gray livery (in
its many configurations) as "stealth".  In the first year or so after the
new livery was introduced there was no standard, pre-mixed gray paint for
the locos, and you could tell which shop had painted which locomotive as
each shop mixed its own gray paint from scratch--the engines painted at
Waycross always were a little more blue than the locos painted in
Huntington.

I started out photographing for Chessie with its bright yellow locos, and
CSX even shot a corporate ad with a Chessie loco in the fog, which was
beautiful.  But because of CSXT's hard-to-see paint scheme, I made damn
sure NEVER to shoot its locos in the rain or fog lest some quick-witted
attorney see my photo in a magazine and catch on that these locos posed a
possible hazard at grade crossings. Eventually I became embroiled in a
big battle with CSXT mechanical, operational and public relations people
over this very sensitive topic, and I even presented my case for more
visible locomotives face-to-face with CSX chairman of the board Hays T.
Watkins aboard a corporate jet.  He agreed with everything I said to him,
and I was asked to put all of the info down in writing for further
consideration.  The mechanical people still balked at yet another paint
scheme due to the cost involved (there had been 4 or 5 different
variations of the basic blue and gray), but I countered that our CSXT
locomotive livery was poorly designed from the outset with little thought
for grade crossing safety.  What made 'em cringe was my statement, "We
were the first railroad in the U.S., and, today, 165 years later, we
still do not know how to paint a locomotive."

In any event, CSXT put a yellow nose onto its existing blue and gray
locomotives (and even black Seaboard units!) as a test for visibility,
and eventually redesigned the blue and gray livery into the attractive
blue/gray/black/yellow paint scheme that you see today, thus eliminating
any trace of its former "stealth" locomotives.

So as you SPORRS members go out into the rain and fog to photograph
trains, remember that certain colors of locos (red, yellow, orange) will
be more visible in your photos than others (gray, black, blue).  The same
can be said for early morning or late evening photography when the light
level is really low.  This way you can better plan your photo bad weather
shoot and get a better idea as to how the results will appear even before
you leave home in the morning, or leave for home in the evening.

John B. Corns

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