To Warren and others with inquiring minds--

I am reposting part of my SPORS message from 2/14/98 about the area of
the sky with the bluest light, and will comment some more after that
about Warren's questions.

>Polarizing filters will give you darker blue skies behind your subject,
especially when >the blue sky is at a 90-degree angle to the axis of the
sun (the area of darkest blue >sky on any blue-sky day).  Knowing this,
you can see how the time of day can affect >the amount of blue sky you
will get behind your subject relative to the sun's position >in the sky. 
A high-noon sun will put the bluest part of the sky in an arc lower
toward >the horizon, while an early-morning or late-afternoon sun will
place the bluest sky in >overhead arc like the St. Louis arch.  If you
want blue sky in your photos, plan your >photos of stationary subjects
based on the time of day and their orientation to the >sun, and shoot
them when the sun angle is best for the blue sky.  Use the pola filter
>to darken this bluest part of the sky.

>How do you find a 90-degree angle to the axis of the sun as mentioned in
the last >paragraph?  Make a "gun" out of you thumb and index finger, and
"aim" your index >finger toward the sun.  Now, rotate your hand and wrist
around the axis of your index >finger, and your extended thumb (which is
at a 90-degree angle to your index finger) >will point to the area of
darkest blue light.  Play with this "gun" to see where the >darkest blue
light will be with the sun in different positions based on the time of
day. >See how the area of blue light changes?  Maybe that photo of the
white Soo Line >diesel that you had planned to shoot in the morning would
look better at noon when >the blue sky is darker behind it.

Is this the relationship between sun and lens that you were thinking of,
Warren?  As you see, the deepest blue color will be found at a 90-degree
angle to the axis of the sun, regardless of which way the camera is
pointing.  At times with a wide angle lens it is possible to see the arc
of blue light arching up through the sky, while the remainder of the sky
was a lighter shade of blue.  The time of day changes this arc of blue
light--the extremes being the sun directly overhead (like at the equator)
with the arc of blue light completely around the horizon and lighter blue
sky high above, and the other extreme with the sun at the horizon with
the arc of blue light like a wide ribbon arching overhead like the St.
Louis arch as mentioned earlier.  I think this is what Warren was
referring to with his mention of 90-degree angles to the axis.

The pola filter just makes these arcs of blue light deeper in color by
removing reflections of particles in the air at that 90-degree angle to
the sun.

Knowing this, if you want the deepest blue sky behind the clock tower of
union station as you look up at it from close by, shoot the photo in the
early morning or late afternoon in order to catch this deep blue sky at
its highest point in the sky. This is kind of complicated to explain
verbally without drawn diagrams to show you where these areas of deep
blue sky are located in relation to the ever-moving sun.

Hope this explains it.  Questions?  Just ask.

John B. Corns


_____________________________________________________________________
You don't need to buy Internet access to use free Internet e-mail.
Get completely free e-mail from Juno at http://www.juno.com
Or call Juno at (800) 654-JUNO [654-5866]


-> SPORRS: Serious Photographers of Railroad Related Subjects
-> Web Site: http://www.anet-stl.com/acphotog/sporrs
-> Message © SPORRS® 1998 - All Rights Reserved



Reply via email to