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Both the UP E unit and the Southern shots are nice additions to the
images this month. I hate to bring up the K-word but I seems that these
two shots seem (more so the NS shot at Wentzville) has a greenish cast
to the image. I also know that film is a personel choice but I've
noticed that the the western (arid) photgraphers and (when I'm there)
have gotten away with shot K64 without the greenish cast, yet the
midwest stuff (especially on a hazy day seems to suffer more of a
greenish cast problems. Could the weather and lighting of a location
add to or subtract from the greenish cast associated by some to K64?
For what it's worth I've seen slides (not scanned images) by several
member of this forum on the same night, same projector, same location
and sometimes the same exact train, but with Fuji in one camera body and
K64 and I could make out the slight color shift. My K64 seems to work
much better in drier and cold seasons here in the midwest than in the
summer. (In the summer it's Fuji time 50 Velvia and 100 Provia. Could
older film, or baking it in a camera body for too long account for some
of these differences?
Greg Anderson
St. Louis Summer Haze Capital of the Midwest
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