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Greg Anderson wrote:
> Both the UP E unit and the Southern shots are nice additions to the
> images this month. I hate to bring up the K-word but I seems that these
> two shots seem (more so the NS shot at Wentzville) has a greenish cast
> to the image. I also know that film is a personel choice but I've
> noticed that the the western (arid) photgraphers and (when I'm there)
> have gotten away with shot K64 without the greenish cast, yet the
> midwest stuff (especially on a hazy day seems to suffer more of a
> greenish cast problems. Could the weather and lighting of a location
> add to or subtract from the greenish cast associated by some to K64?
> For what it's worth I've seen slides (not scanned images) by several
> member of this forum on the same night, same projector, same location
> and sometimes the same exact train, but with Fuji in one camera body and
> K64 and I could make out the slight color shift. My K64 seems to work
> much better in drier and cold seasons here in the midwest than in the
> summer. (In the summer it's Fuji time 50 Velvia and 100 Provia. Could
> older film, or baking it in a camera body for too long account for some
> of these differences?
I have had the green cast happen to me on two occasions in 1996, and
both of
those were hot days, so I'd believe your meterogical theory. The Bay Area
stays pretty temperate during the whole year, and I haven't noticed any wacko
color shifts in doing slides, except for those 90°+ hot days.
Sam
_______________________________________________________________________
Visit Sam Reeves Photography http://www.sysresearchassoc.com/trains.html
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