LMS's clipping prevention considers two factors: the track peak and the
amount of positive gain calcuated by ReplayGain. If those two add up to
more than 0dBFS (or 1.0 on the ReplayGain scale), then LMS limits the
gain to keep below that threshold.

LMS's clipping prevention doesn't consider any additional headroom you
might create, for instance by lowering the volume on your Touch or other
player.

Foobar calculates ReplayGain for a target level of -18LUFS (roughly
equivalent to -89dB). That's fine for contemporary pop, rock, R&B,
hip-hop and jazz, even reissues of (say) 1960s jazz, because most of
those will have negative RG values.

For classical music, which will often need positive gain to reach
-18LUFS (as much as 27.53dB, e.g. for Schoenberg's "Kleine
Klavierstücke", with similar values for Webern, Debussy and Stravinsky),
you have two options:

You can either use a more conservative RG setting. The excellent
'loudgain' (https://github.com/Moonbase59/loudgain), for example, allows
you to set the target level at -23LUFS, which would allow an additional
5dB or so in positive gain. (-23LUFS is from the original EBU R128
specification, while Foobar's -18LUFS is a compromise for the sake of
compatibility with the old RG standard and modern consumer electronics,
incl. mobile phones).

Or you can switch off RG whenever you play classical music (and anything
else with serious dynamics, for that matter). That's the approach I
ended up with, partly because I don't have any classical playlists (I
almost always play whole works), partly because I hesitate to apply
-23LUFS attenuation in the digital domain, when I'll often have to
compensate for that by turning up the analogue volume (i.e. I doubt it
makes sense to first lower SNR only to then amplify the result), and
partly because my amp comes with a handy sensitivity switch that adds
6dB in gain.

Oh, and by the way, you may find peaks greater than 1 in FLAC files as
well, especially when you use a ReplayGain scanner that aims to detect 
intersample "true peak" values.


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