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YLEM Forum: Show/Play! visuals & live sound

Wednesday, November 9

7:30pm-10:30pm

$4-10 Sliding Scale

----/ Event Description /-----------------------------------------------

Bay Area filmmaker/musician/writer Loren Means hosts a multimedia  
event exploring the relationship of image and sound, and the  
difference in effect between producing work in the studio and  
producing it live, in real time, interacting with an audience. Nine  
visual/sound artists will participate in the event in fluid  
combinations, including two working sound/visual performing groups.

Live Feed is a visuals and sound ensemble comprising LX Rudis on a  
modified DJ rig and analog synthesis, Chris Fleeger on computer sound  
synthesis and modification, and Scott Davey on computer-generated /  
modified light projections. Live Feed has performed at the Luggage  
Store, done several shows at San Francisco State University, and has  
accompanied a performance by Winston Tong. Live Feed specializes in  
the use of "alternative controllers" for audio, such as light and  
proximity sensors, and Fleeger's use of Max-based touchscreen  
control.  And, unless specifically discouraged, Rudis can sometimes  
be found on Theremin. Audio is used to control aspects of the visual  
projections at times, and Fleeger is oft detected modifying a direct  
audio link from Rudis. The group practices a semi-structured form of  
free improvisation, often organized around a roughly timed "arc" in  
analog, such as that of the typical television "broadcast day", or  
the life of an individual.  The group emphasis is on interrelation  
and interaction to create unified and evocative shifting fields of  
sound and light.  Laughter is not discouraged.

Rachael Abernathy is a filmmaker and sound artist who sews directly  
on Super-8 film, and scratches on a 45-rpm phonograph record in live  
performance. As Rachael puts it, "I would not consider my pieces to  
be performance art, but rather a sharing experience of film.  I  
incorporate live sound into my work so that every screening will be  
exciting and new.  This is my own small way of fighting against the  
commoditization of art.  Everyone should have the freedom to make  
art, share art, and experience art."

Rachel Manera is a filmmaker, sound artist, and performance artist.  
In addition to showing her films with live sound at Artists  
Television Access and RX Gallery, she recently served as mistress of  
ceremonies at the Cabaret Voltaire presentation at the San Francisco  
Art Institute, and was commissioned by the Exploratorium to create a  
film for the Trip Down Market Street 1905/2005 celebration.

Rachel also creates visuals for the group Reagan's Memory, which is  
described by its members as "Improvisational art-damaged sound/visual  
diarrhea with film projections by Rachel Manera and narration by  
Ronald Reagan. The group consists of Anthony Desimone, drums; Ian  
Enggasser, guitar; and Douglas Katelus, Rhodes keyboards. Ian and  
Douglas are also filmmakers. Ian, who also calls himself Ian  
Phillips, describes himself as an "improvisational/psychedelic/ 
hardcore/noise/jazz guitar player/composer. His films tend to revel  
in the beautiful absurd." Douglas is a San Francisco based filmmaker  
and musician. He has produced several Documentary and experimental  
shorts that have screened throughout the U.S.A. Aside from making  
movies, Douglas also co-curates an experimental film show titled  
"Pathological Rhetoric" that regularly showcases local and worldwide  
filmmakers. As he puts it, "My films are an indirect reflection...a  
sudden and uncontrolled out-lash. I do not choose the images taken,  
but rather allow the camera to make its own decisions."

Loren Means founded the f8 Filmaker's Co-operative in the Sixties,  
and won a prize at the Saginaw 8mm Film Festival in 1968. He has  
shown his films at the Exploratorium, Artists' Television Access, and  
RX Gallery. Loren paints on 8mm film, whose small size necessitates  
that the resulting imagery is self-organized, generative. When  
projected on a large screen, the imagery goes from microcosmic to  
macrocosmic. The images are then digitized, and the computer comes  
into play as a real-time performance instrument. Loren's sound tracks  
are drawn from music played in improvising groups with Henry Kaiser  
and Ron Heglin in the Seventies, appearing at the Keystone Korner and  
Kaiser Auditorium. In addition to showing his films, Loren will be  
playing electronic trombone, flute, and vocalizing with Reagan's Memory.


----/ Venue Info /------------------------------------------------------

RX Gallery
132 Eddy Street
San Francisco
415-474-7973
www.rxgallery.com

Two blocks from Powell Street BART Station

----/ Additional Info /-------------------------------------------------

[EMAIL PROTECTED]
415-665-5454
www.ylem.org



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