Here's the biggest moon I've seen in a while . . . from yesterday
evening. http://tinyurl.com/66dyd8  I'd just be too dizzy from sleep
deprivation to paint the star trails. Or maybe I would BECAUSE I was
dizzy, I dunno. Usually with things that change, like shadows or the
tumble of hair on a face, drapery on a model, position of stars in the
sky, cow in a field, etc. an artist will paint all over the canvas,
organizing the composition, then when everything happens to be just
so, THAT'S when you focus on this area or that. Then you stop after
the expression is gone or the cow has moved. It's called "Don't chase
the nose." for figurative artists and "Don't chase the shadows" for
landscape painters. When painting a face a noob might paint the
sihouette just right but then start in on the features not noticing
the sitter has moved. So the silhouette faces one way and the face is
shifted three degrees toward the relaxed side. It's inevitable that
the person posing will move. You have to watch for it, call them back
into the pose or shift around so your view of the face matches the
view of the silhouette. In the case of stars (with which I have small
experience) I'm imagining painting a grouping over here at one in the
morning and then a four in the morning painting that same grouping
again in another location, not even realizing the mistake. Or as in
the above mentioned example painting them here. Then scrubbing them
out and painting them there, then scrubbing them out and painting them
way over there. That's "chasing" them and you have to just decide
where they're going to be in your painting and leave it at that.

brian wrote: Would you paint the star trails over that twenty
hours? ;-)
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