On 12/06/2012 12:22, etienne deleflie wrote:
On 12/06/2012 08:02, etienne deleflie wrote: Although what is interesting is that you are saying that using horse dung, in combination with some light air movements and floor impacts can be used to bolster a synthesised walkthrough of a horse. (which is kinda consistent with Wagner's concept of the 'total work of art')
:-) :-) :-)
Etienne Dave -- These are my own views and may or may not be shared by my employer /*************************************************************** **********/ /* Dave Malham http://music.york.ac.uk/staff/**research/dave-malham/<http://music.york.ac.uk/staff/research/dave-malham/>*/ /* Music Research Centre */ /* Department of Music "http://music.york.ac.uk/"; */ /* The University of York Phone 01904 322448 */ /* Heslington Fax 01904 322450 */ /* York YO10 5DD */ /* UK 'Ambisonics - Component Imaging for Audio' */ /* "http://www.york.ac.uk/inst/**mustech/3d_audio/<http://www.york.ac.uk/inst/mustech/3d_audio/>" */ /*************************************************************** **********/ ______________________________**_________________ Sursound mailing list [email protected] https://mail.music.vt.edu/**mailman/listinfo/sursound<https://mail.music.vt.edu/mailman/listinfo/sursound>
-- These are my own views and may or may not be shared by my employer /*********************************************************************/ /* Dave Malham http://music.york.ac.uk/staff/research/dave-malham/ */ /* Music Research Centre */ /* Department of Music "http://music.york.ac.uk/"; */ /* The University of York Phone 01904 322448 */ /* Heslington Fax 01904 322450 */ /* York YO10 5DD */ /* UK 'Ambisonics - Component Imaging for Audio' */ /* "http://www.york.ac.uk/inst/mustech/3d_audio/"; */ /*********************************************************************/ _______________________________________________ Sursound mailing list [email protected] https://mail.music.vt.edu/mailman/listinfo/sursound
