On Sun, May 12, 2013 at 3:59 AM, Iain Mott <m...@reverberant.com> wrote: > > The Earfilms link is interesting. I wonder if people on the list have > other references or links on ambisonics applied in theatrical > productions, either traditional theatre or theatrical installation? Your > own productions or the work of others.
Two chamber operas by Jonathan Berger presented recently at Stanford used ambisonics (22 speakers, 3rd-order). More here: http://live.stanford.edu/event.php?code=OPER and http://www.icareifyoulisten.com/2013/04/5-question-to-jonathan-berger-composer-founder-music-brain-symposium/ Also, a recent performance by Capella Romana used ambisonics to place the live singers in the acoustic of the Hagia Sofia in Istanbul. http://www.sfcv.org/reviews/stanford-live/cappella-romana-time-travel-to-constantinople Fernando Lopez-Lezcano presented a paper last Thursday at LAC2013 about it, "Byzantium in Bing: Live Virtual Acoustics Employing Free Software". Conference proceedings at http://lac.linuxaudio.org/2013/download/lac2013_proceedings.pdf Aaron (hel...@ai.sri.com) Menlo Park, CA US -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20130512/faacf173/attachment.html> _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound
