I'm trying to get an overall sense of what people's objections are.  It seems 
that the mini XLRs are OK, but just OK, but suspending the phantom power 
eliminators has caused problems for users?  I've used mini XLRs in lots of 
projects for more than 25 years and found them to be OK.  There are lots of 
different manufacturers now, as opposed to back then, and thus some of them are 
not as good as others.  And mini XLRs as opposed to regular XLRs don't inspire 
confidence.  They tend not to make a really positive contact when snapped into 
the socket.

As for regular XLRs, there are no 8-pin XLRs.  At least I don't know of any.  
And 6-pin and 7-pin XLRs are very rare.  I can't get them in the type that I 
prefer.

What sort of multipin connectors do folks here like?

Eric Benjamin


________________________________
 From: Michael Chapman <[email protected]>
To: Surround Sound discussion group <[email protected]> 
Sent: Sunday, November 17, 2013 4:19 AM
Subject: Re: [Sursound] Ambisonic first approach
 

> --On 16 November 2013 06:31 +0000 Michael Chapman <[email protected]>
wrote:
>
>> --fiddling to get the correct one of (?)24 possible permutations of the
four capsules to the snake is a ****!  Especially in dim lighting ...
and you didn't bring a lamp ... and ...
>
> A dab of four coloured paints on the plugs and sockets makes this so
much easier!
>
> That's why I was asking here about colour codes a few years ago (the
answer is make up your own!).

> Paul Hodges
>

To preserve the best traditions of ambisonics ... only if they clash with
someone else's.

More seriously ... my cones give out before my rods ... so big black and
white numbers (or any glyphs) is still easier.
Remembering the torch is even easier.
And ... of course ... a six, seven, eight pin XLR 'plug and play' would
cut out the 'human' element altogether ...

Michael



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