On the 2L recordings I heard at the workshop, Lindberg used a combination
of 1/2in and 1in DPA omnis, similar to what is shown here:

  http://www.6moons.com/industryfeatures/2L/3.html

If I remember correctly, Bowles and Geluso were working with (more or less)
coincident arrays built with the Sennheiser MKH800.


On Tue, Mar 18, 2014 at 10:53 AM, John Leonard <[email protected]>wrote:

> The mic rig that I've seen on the Tonsturm site (http:www.tonsturm.com)
> consists of five Schoeps omnis and then four Schoeps wide cardioids about a
> metre above them, which doesn't really seem that groundbreaking to me. But,
> as always, I'm happy to be proved wrong.
>
> Worth keeping an eye on, though.
>
> Regards,
>
> John
>
>
> On 18 Mar 2014, at 16:56, Aaron Heller <[email protected]> wrote:
>
> > There were three 'with height' workshops at the 2012 AES meeting in San
> > Francisco* that featured an Aura 3D playback setup.   David Bowles
> > (Swineshead) and Paul Geluso (NYU) played some recordings that were quite
> > nice -- height in front, with convention surrounds -- but the remainder,
> > including recordings from NHK, Dolby, DG, and 2L, were either terribly
> > distorted or a phasey mess.   I recall Kimio Hamasaki apologizing, saying
> > that the mix down from 22.x to Aura-3D didn't work well.  The recordings
> > that Morton Lindberg (2L) played were pleasant sounding, but it seemed as
> > if you were sitting underneath the musicians, which was odd. I was
> sitting
> > directly behind Martha de Francisco (Polyhymnia) who thought they sounded
> > wonderful.
> >
> > Aaron
>
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