By all means. We'd like to hear them. Why not put them on Ambisonia?
http://www.ambisonia.com


------------------------------
On Sun, May 17, 2015 10:47 PM PDT Bo-Erik Sandholm wrote:

>I have a number of  recordings using a tetramic and Tascam DR-680, the 
>recordings are mostly:
>church choirs among other recordings a full church with only singers  making a 
>700+ choir singing Händel,
>Jazz recordings ( Benny Goodman style)  in a club with audience eating and 
>talking,
>One Gospel recording with all of the public joining in,
>A few short recordings of  rainy afternoons with a bit of thunderstorms from 
>the Swedish archipelago.
>A long recording of Early morning birdsong at sunrise 03:30, with absolutely 
>no wind or man made background sounds, from a wooden glade in the archipelago.
>
>Most of them can be distributed within this group and the ambisonic community 
>if someone is interested and wants to listen.
>
>Best Regards
>Bo-Erik Sandholm
>
>
>
>-----Original Message-----
>From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of Curtis 
>Alcock
>Sent: den 14 maj 2015 12:33
>To: Surround Sound discussion group
>Subject: Re: [Sursound] Converting 16 mic array recording to B format
>
>Thank you everyone who contributed to answering my question. I am now fully 
>convinced that using the DEMAND library would be next to useless and not worth 
>the work involved in trying to make it (partially) usable. Pity really, as a 
>database of everyday noise would be a useful resource - but only if it's done 
>properly in the first place.
>
>I am in the process of doing my own field recordings using a Brahma mic (been 
>impressed with results so far: birdsong; a very noisy, reverberant restaurant; 
>organ playing in a church) but as it will take some time to build up a 
>complete library I was looking for some other material I could use, 
>particularly every day environments.
>
>Thanks, Richard, for your suggestion of ambisonia.com. I started there but was 
>having trouble downloading the torrent files. (The internet access I have here 
>(in a shared building) blocks torrent files so I need to download somewhere 
>else then transfer.) Will continue to pursue this route.
>
>Thanks again, everyone.
>
>On 14 May 2015, at 19:11, Richard Lee <rica...@justnet.com.au> wrote:
>
>> Duu.uuh!!  http://parole.loria.fr/DEMAND/DEMAND.pdf states
>> 
>> "the microphones of the array ... are not calibrated with respect to 
>> each other, and so gain variations are to be expected: we found that 
>> the energy in some channels is consistently higher than in other 
>> channels. Algorithms working on this data should compensate for this 
>> variation"
>> 
>> ie they haven't a clue what each capsule is doing.
>> 
>> This precludes any attempt at conversion to B-format and also of 
>> beamforming.
>> 
>> I was hoping this might lead to a discussion about EigenMike and how 
>> it might be made good enough to record music but this is certainly NOT 
>> the vehicle.
>> 
>> I can't help feeling they should beg borrow or steal a TetraMic and 
>> repeat their recordings.
>> 
>> Presently, about all you can say is they have a close bunch of 
>> unspecified mikes in some sort of horizontal pattern.
>> 
>> Curtiss, if you are after some 'realistic' atmospheric background (and 
>> this is something TetraMic and properly aligned Soundfields do better 
>> than an ything else), try ambisonia.com and recordings by John Leonard 
>> (soundmanjohn), Paul Doombusch, JH Roy & others.
>> 
>> John Leonard's specialty is WW2 aircraft flyovers but he includes a 
>> lot of airfield noise too :)  He's also got some very realistic street 
>> scenes, audience noise, applause etc too.
>> 
>> Aaron, you are right about SVD not being much use here as we have 
>> multiple solutions but I was hoping to dream up something to help S/N at LF.
>> 
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