Hi Wilson,

First of all you have to understand the upmixing algorithms themselves before 
starting implementing them. Some methods that can do that are Directional Audio 
Coding (DirAC), which you can read all about in the “Parametric Time-frequency 
Domain Spatial Audio” book of last year, and numerous articles from AES journal 
and conferences. Then there is the HARPEX method by Svein Berge for FOA 
signals, you can find the articles online. Another option is the recent COMPASS 
method which can also upmix second-order or 3rd-order if needed. Finally, an 
alternative is the sparse recovery approach by Wabnitz, Jin and Epain, 
published mostly in IEEE conferences.

There are two plugins I know of offering this functionality at the moment, one 
by Blue Ripple Sound that uses HARPEX, and one based on COMPASS by us, which is 
to be released this month. In general if you have no previous experience with 
the various parts of these methods, time-frequency transforms, parameter 
estimation, adaptive filtering, maybe decorrelation, and others.. expect to 
spend many months testing things till you manage to get good audio quality.

Best regards,

Archontis Politis

On 22 Feb 2019, at 03:37, Wilx Wilson 
<wilxson....@gmail.com<mailto:wilxson....@gmail.com>> wrote:

Hi Everyone,

Not sure if I have missed a discussion about upmixing with ambisonics on
Sursound.

Just wondering if anyone is willing to share some information on how to
implement upmixing algorithms from 1st Order Ambisonics A&B-format to 3rd
Order Ambisonics B-format.

I am really curious to know on how they are implemented mathematically.
Because I am developing a prototype plugin for my research project.

Have a good day!

Much Obliged,
Wilson Lim
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