The text for download link in my previous post went broken strangely. Below is the original post again. Hopefully this link works.
Hello Sursounders, I'm pleased to announce the release of the "3D Microphone Array Recording Comparison (3D-MARCo)" library. Back in June, we at the APL conducted an ambitious, 3D mic array shoot-out recording session in the St.Paul’s concert hall at the University of Huddersfield, and now a set of recording samples with a Reaper session template, Room Impulse Responses and detailed documentation are available for free download from https://doi.org/10.5281/zenodo.3474285 For this project we used a total of 71 microphones to configure 7 different 3D main microphone arrays (PCMA-3D, OCT-3D, 2L Cube, Decca Cuboid, Hamasaki Square + Height, 32ch spherical array (Eigenmike EM32) and first-order Ambisonics (Sennheiser Ambeo)), as well as side/height pairs, Voice of God, floor channel microphones (i.e. for 22.2), KU100 dummy head and spot microphones for individual instruments. Various types of musical performances (String quartet, Trio, Organ, Piano solo, A Cappella, single sources at different positions) were captured by all of the microphones simultaneously. Microphones used for the main arrays were all DPA d:dicate series (4006, 4011, 4018) and they were recorded via AD8P mic preamps by Merging Technologies. Loudspeakers used for the impulse response capture was Genelec 8331A. Very special thanks to DPA Microphones, Merging Technologies and Genelec for their great support on this project! Hope you find these resources useful for spatial audio research, recording education and critical ear training purposes. Best wishes, Hyunkook ========================================= Dr Hyunkook Lee, BMus(Tonmeister), PhD, FAES, FHEA Senior Lecturer (Associate Professor) in Music Technology Director of the Applied Psychoacoustics Laboratory (APL)/Research Centre http://www.hyunkooklee.com <http://www.hyunkooklee.com> h<https://research.hud.ac.uk/institutes-centres/apl/>ttp://www.hud.ac.uk/apl Phone: +44 (0)1484 471893 Email: [email protected] Office: HA 2 /14a School of Computing and Engineering University of Huddersfield Huddersfield HD1 3DH United Kingdom ________________________________ From: Sursound <[email protected]> on behalf of Hyunkook Lee <[email protected]> Sent: 09 October 2019 18:49 To: Surround Sound discussion group <[email protected]> Subject: [Sursound] 3D Mic Array Recording Comparison (3D-MARCo) Library Hello Sursounders, I'm pleased to announce the release of the "3D Microphone Array Recording Comparison (3D-MARCo)" library. Back in June, we at the APL conducted an ambitious, 3D mic array shoot-out recording session in the St.Paul’s concert hall at the University of Huddersfield, and now a set of recording samples with a Reaper session template, Room Impulse Responses and detailed documentation are available for free download from https://doi.org/10.5281/zenodo.3477602<https://doi.org/10.5281/zenodo.3477602?fbclid=IwAR2A-AGM3XJcvCJtvILdRoPpOnvQyOJmbd8WOOzZL4BJCUtxxBemGgJ7WKg>. For this project we used a total of 71 microphones to configure 7 different 3D main microphone arrays (PCMA-3D, OCT-3D, 2L Cube, Decca Cuboid, Hamasaki Square + Height, 32ch spherical array (Eigenmike EM32) and first-order Ambisonics (Sennheiser Ambeo)), as well as side/height pairs, Voice of God, floor channel microphones (i.e. for 22.2), KU100 dummy head and spot microphones for individual instruments. Various types of musical performances (String quartet, Trio, Organ, Piano solo, A Cappella, single sources at different positions) were captured by all of the microphones simultaneously. Microphones used for the main arrays were all DPA d:dicate series (4006, 4011, 4018) and they were recorded via AD8P mic preamps by Merging Technologies. Loudspeakers used for the impulse response capture was Genelec 8331A. Very special thanks to DPA Microphones, Merging Technologies and Genelec for their great support on this project! Hope you find these resources useful for spatial audio research, recording education and critical ear training purposes. Best wishes, Hyunkook ========================================= Dr Hyunkook Lee, BMus(Tonmeister), PhD, FAES, FHEA Senior Lecturer (Associate Professor) in Music Technology Director of the Applied Psychoacoustics Laboratory (APL)/Research Centre http://www.hyunkooklee.com <http://www.hyunkooklee.com> h<https://research.hud.ac.uk/institutes-centres/apl/>ttp://www.hud.ac.uk/apl Phone: +44 (0)1484 471893 Email: [email protected] Office: HA 2 /14a School of Computing and Engineering University of Huddersfield Huddersfield HD1 3DH United Kingdom University of Huddersfield inspiring global professionals. [http://marketing.hud.ac.uk/_HOSTED/EmailSig2014/EmailSigFooterMarch2019.jpg] This transmission is confidential and may be legally privileged. If you receive it in error, please notify us immediately by e-mail and remove it from your system. If the content of this e-mail does not relate to the business of the University of Huddersfield, then we do not endorse it and will accept no liability. -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20191009/020cec16/attachment.html> _______________________________________________ Sursound mailing list [email protected] https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20191009/98c9e507/attachment.html> _______________________________________________ Sursound mailing list [email protected] https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
