I've used thin white sheets before and it hasn't made much difference to
the sound. If you use various types of amplitude panning instead of
Ambisonic there won't be a sweet spot if you design the sound correctly.
Best
Gus

On Sunday, 23 August 2020, MrUnmenge <unme...@gmail.com> wrote:

> Dear Groupe,
> i'm a longtime reader but first time poster to this wonderful email list,
> and I am still pretty new to 3d Audio so I would be grateful for some of
> your knowledge and experience.
>
> We are planning an immersive audio-video Installation that is supposed to
> be in a 4 x 3 x 3 meter room. 3 walls and the floor will be projected onto.
> The Sound should come from all around the room (right now we are thinking
> about a rig of 12 speakers on ear-height, 4 on bottom layer, 4 on top
> layer, 1 voice of god and 4 lfes). Unfortunately quite a lot of the
> speakers need to be projected onto and ideally they would hide in the
> drywalls seamlessly without compromising the sound quality. So my first two
> questions are (probably quit a few will follow):
>
> 1) What are your suggestions for hiding the speakers? Do you have
> experience what fabric or cinemascreens would still work well (regarding
> that the room is rather small and the audience can move freely and might
> come pretty close to the walls)? Are there any other methods that i'm not
> aware of?
>
> 2) How crucial is the sweetspot and is there a possibility to widen it by
> the choice of speakers and/or speaker layout without losing too much
> spatial resolution?
> The room is rather small, but still we expect the people to move around in
> it, since their positions will be tracked and interact with the content of
> the installation.
>
> Thanks a lot in advance, this mailing-list is a wonderfoul resource. :)
> I hope you all are well.
> All the best,
> Max
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