Take a look at these: (they work well in IE9, FF and Opera, but Windows
Safari or Chrome users should limit their view to the second one – I’d have
to scale something down a big to accommodate their depressed handling)

 

 http://srufaculty.sru.edu/david.dailey/svg/engrave/manylines.svg

 

http://srufaculty.sru.edu/david.dailey/svg/engrave/waterwheel.svg

 

http://srufaculty.sru.edu/david.dailey/svg/engrave/volcano.svg

 

and

 

http://srufaculty.sru.edu/david.dailey/svg/engrave/durer.svg

 

They are animations produced by dragging a series of parallel lines over
engravings. The resultant moiré pattern results in differential illusions of
movement for different parts of the image depending upon spatial frequencies
of the engraving lines in the x and y directions. The effect is consistent
with this page (done in HTML a zillion years ago):
http://srufaculty.sru.edu/david.dailey/moire/moremoire.html

 

The engravings from the first three are from a funny little book called “The
magic moving picture book” Bliss, Sands & Co. 1898 London and reprinted by
Dover Press in 1975 (before Berne copyright treaty). The book comes with an
acetate transparency to produce a similar effect.

 

These three were designed with an eye toward animation in mind, and the
engraving frequency exploits the dot frequency of the overlay (it is
actually much higher in the printed form).  The last image is of Albrecht
Durer, engraved by Paul Krey in 1885 from Durer’s famous self-portrait.

 

Engravings are, after all, vectors, but they tend to reflect the curvature
of contours, rather than their boundaries, as discussed here:
http://srufaculty.sru.edu/david.dailey/engraver.htm . As such, I’ve argued,
there may be more information in those vectors than in typical boundary
files.  Cleverly done, as the first three are, they might also capture
movement.

 

Cheers

David



[Non-text portions of this message have been removed]



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