Sponsored by TWIST - Tablet Weavers International Studies & Techniques

Isn't one of the reasons why Ply-Splitting classes are full, and TW ones
not, the relative newness of PS on the world stage? Everyone wants to
have a go; try the new technique. 
I can remember when macram� was suddenly all the rage... Classes
abounded, books came out... I imagined a resulting Macram� Mountain of
all these efforts.

Also PS has this wonderful inbuilt ability to produce 3D objects, which
is not so easy with the warp/weft system in TW.  So baskets, hats,
jewellery, dishes, free-form sculptures, even full length dresses can be
and are being made, much to the surprise of the Indian girth-makers.

Whereas TW I think appeals mostly to those intrigued by technical and
structural possibilities, pushing these to the limits; maybe with no
real interest in making things for use, But a recent example of a really
functional TW is found in the 'sazygo', bands woven to wrap around
scriptures in Burma and bearing complex motifs and inscriptions; see
latest number of TWIST.

I think it is hard to "plan" the survival or spread of any textile type.
There will always be a few people who are attracted to it and carry it
on, maybe adding to its possibilities, exploring past masterpieces. TW
has lasted two millennia so is pretty sure to survive.

Maybe this sounds heretical, but I am not sure that I fully understand
this desire to increase the number of people TW-ing. OK. its very nice
for them to be making something with their hands, which is a positive
thing in itself. But if it only succeeds in bringing into the world many
copies of patterns found in instruction books, I am on a different
wave-length. Though the accompanying book sales are pleasing!

peter collingwood

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