There will always be a special dynamic between the male/leader and 
female/follower that is central to tango. I think this has been discussed 
previously and I think Sergio did a great post on the respective roles in the 
dance and how the follow is basically feminine and the lead is masculine, but I 
don't want to open up that can of worms again.

That relationship between man and woman in the dance is special because it is 
in the same category as a man holding a door open for a woman or giving up his 
seat on a bus for a woman, a beautiful and gracious gesture from a different, 
arguably more civilised age. But there were also a lot of other negative 
aspects to women's role in society at that time, which happily we don't need to 
replicate to enjoy tango today.

Given the way tango is taught now there is no reason why women should not 
become competent leaders and in my experience there are many very good women 
leaders. In fact, in many cases, women who lead can actually look better on the 
floor than the majority of male leaders dancing. They are often going to be 
more in touch with what feels nice for a follower and not be sidetracked by all 
the other distractions that we poor simple men have, like a mistaken belief 
that women love overly complex showy dances jam packed full of difficult steps.

The female leaders in BsAs are just amazing and people like Susana Miller, 
Cecilia Gonzales, Elina Rodin, Gabriella Elias, for instance, can lead as well 
as any man anywhere in the world based on what I have seen. I for one am quite 
happy that there are plenty of competent female leaders around. I really like 
it when female teachers lead me as they can then give me some practical 
feedback about the subtle things that are not so apparent outside the embrace 
that make a big difference to the experience of the follower. It is also very 
nice at a milonga to see a woman leading well, even better if they are leading 
an experienced leader!

Victor Bennetts

Keith> but not many women have the masculine qualities necessary to play the 
role of the >man and, without those qualities, IMHO, any Tango you dance as man 
will just be a >parody of Tango.

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