I wish I were closer. I'd love to see it if you do write out an arrangement. In my thickness (I blame jetlag) when I posted I didn't realize this was the what you were referring to. Good luck. I continue to try to sort of ways to do the waltz but need to tackle the chords before I can get much further. Tater, where did you get this? val
On Oct 12, 8:12 pm, Linda <[EMAIL PROTECTED]> wrote: > I have been looking at it ..using the piano, I find it easier to try > things that way as the melody and the chords can be tried all at once > quite easily. The ideas are still forming. I would enjoy a chance to > play C Dorian Waltz in ensemble, but would have to get Scottie to beam > me ..to the location, Tasmania would be just too far, to ask folks to > travel to. HA > I would need a travel grant... > I might be able to scare up some volunteers here for a Tassie effort, > but there are no mandolas here that I know of. > We could have regional play-off's ...though. Might take a while to > organise. > ljt > > On Oct 13, 10:36 am, mistertaterbug <[EMAIL PROTECTED]> wrote: > > > I might as well confess, I'm the one that threw this tune/quandry into > > Linda's lap. Val know's this one too. It's a tune I found in a long > > list of things on either Richard Robinson's site or the "Big List" of > > ABC tunes(about 15,000) and was listed simply as "??? Waltz/CDorian". > > The tune appears on the "Files" page. I threw a bunch of chords at it > > and overdid it something fierce, so just throw them all out and start > > from scratch...oh, and tell me what you come up with. <G> > > > Also, we've been talking about how nice it would be to have this tune > > and a few others played with harmony parts for second mandolin, > > mandola, cello, bass maybe. Any takers? > > Tater > > > On Oct 10, 12:03 am, Linda <[EMAIL PROTECTED]> wrote: > > > > Hi all, I have troubles finding the right chords to use for a given > > > tune. So I start this thread for the selfish reason to see what > > > other folks might know or do re chord selection. I think most folks > > > do know about the 12/bar blues, the three chord trick, etc. > > > > I gather, but am not sure, that if a tune is modal, it may be the > > > chord rules will or could be changed for different effect?? Maybe in > > > the old days there were some standard rules for this? > > > > Some of you may understand or have something to share about what you > > > do, how you do it or the theory behind your chord/double stop > > > selections, and usage. > > > > Deep, you seem to understand a lot of scales, maybe you have something > > > to add? I gather dulcimer players come up against the modal issues, > > > too. > > > > My current question is, to find chords that work for a tune in Dorian > > > Mode, would it be based mainly around a two note drone rather than a > > > three note chord, perhaps say, I & III, for two of the chords and > > > perhaps I & V for the third chord or some other scheme? --~--~---------~--~----~------------~-------~--~----~ You received this message because you are subscribed to the Google Groups "Taterbugmando" group. To post to this group, send email to [email protected] To unsubscribe from this group, send email to [EMAIL PROTECTED] For more options, visit this group at http://groups.google.com/group/taterbugmando?hl=en -~----------~----~----~----~------~----~------~--~---
