I agreed today to take the administrative (uhm...or was that advisory)
duties for the International Bluegrass Music Museum's Bill Monroe
Mandolin Camp 2009. I understand that Mike Lawing doesn't work at the
museum anymore, so that leaves a gap. From what I can gather thus far,
the camp will basically be similar in format to the last few. It will
be on/around Monroe's birthday and will be Friday/Saturday/Sunday.
There will be at least 5 instructors and the topics will be somewhat
similar, but I am looking at other aspects of KY style bluegrass
mandolin that have not been touched on so much before.

I know some of you on this here list have been to the camp, whilst
others have not. What I would like for you to do, beings we have this
forum, is to think about what it was you didn't get last time that
would have been welcome knowledge. What aspects of Bill's music did
not get looked at, either at all or adequately? Is there something
slipping through the cracks that I'm just not thinking of? What have I
left out? Are there artists currently working that have not worked as
instructors at the camp before that either loosely base some of their
work on Monroe's mandolin style or whom you'd like to see tackle KY
style mandolin with a more contemporary flair? The camp is, of course,
devoted to furthering and explaining Monroe's work and music, so I'm
not saying we need to get too far out on a limb. I am also looking at
possibly having the "before bluegrass" idea actively pursued, as well
as the black mandolin culture. Maybe we should go to Arnold Schultz'
gravesite.

Anyway, I would welcome any suggestions/requests/complaints that may
be floating around. I think there needs to be some other activities to
do besides classes too, but right now at this early stage in the game,
I'm drawing a blank. Now's the time to have your say.

Tater
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