As the obsessive scalemonger here, I do this occasionally, and it's good for getting the idea of where scales and chords are and the different positions, and of course the finger movements, but I must admit that the idea of knowing where the flattened second is does not help me at all... I think it would be useful if you have got to the level where you would like to play the same thing at different places on the neck and had a much higher consciousness of what note you are playing than I do...
Not helpful I know... R On Thu, Mar 5, 2009 at 9:28 PM, Nelson <[email protected]> wrote: > > I was looking around the web and encountered some info on the Four > Finger Closed Position scale method by Ted Eschliman (Jazzmando.com). > I have seen it before, but never really paid any attention (I suppose > because it originated from one of "those guys" - jazz folk). :) > > Has anyone played around with this or have an opinion they'd like to > share? > > > --~--~---------~--~----~------------~-------~--~----~ You received this message because you are subscribed to the Google Groups "Taterbugmando" group. To post to this group, send email to [email protected] To unsubscribe from this group, send email to [email protected] For more options, visit this group at http://groups.google.com/group/taterbugmando?hl=en -~----------~----~----~----~------~----~------~--~---
