Oh, I think you'll live, Perry. I hear that musical literature is a legitimate business expense, especially if you use the material you learn from the book onstage. Go look at some of the early group pages. Lots of book listings there. There's one by a fellow named Ira Ford that's pretty good too, but Mr. Ford was best at writing books on various topics rather than Bayard, who was a full-blown academic. You oughta look into some of R. P. Christesen's books too. One that's interesting reading is "Rantin' Pipe and Tremblin' String" by George S. Emerson.
I think that Sarah Armstrong comes under the heading of "research", don't you Don? <G> Tater On Mar 9, 9:04 am, 14strings <[email protected]> wrote: > Thanks Tater... > I now have a another habit to keep me away from my day job...rare > fiddle tune book collecting. > > Perry > > On Mar 8, 10:32 pm, Don Grieser <[email protected]> wrote: > > > Yes, Brother Don has both of them along with some other tunebook gems. > > If you can't pony up the $ it'll take to bake the Tater, there's a pdf > > of the Hill Country Tunes book on the outernet here (with a nice > > picture of Sarah Armstrong, our favorite tune purveyor): > > >http://www.mne.psu.edu/lamancusa/tunes/hct/ > > > This hasn't seemed to hurt the price of the actual books any so I wish > > they'd do this with more out-of-print tune books. --~--~---------~--~----~------------~-------~--~----~ You received this message because you are subscribed to the Google Groups "Taterbugmando" group. To post to this group, send email to [email protected] To unsubscribe from this group, send email to [email protected] For more options, visit this group at http://groups.google.com/group/taterbugmando?hl=en -~----------~----~----~----~------~----~------~--~---
