I'd jump in a time machine today if I could go back and listen to
Sarah Armstrong play some tunes.

On Mon, Mar 9, 2009 at 5:48 PM, mistertaterbug <[email protected]> wrote:
>
> Oh, I think you'll live, Perry.
> I hear that musical literature is a legitimate business expense,
> especially if you use the material you learn from the book onstage. Go
> look at some of the early group pages. Lots of book listings there.
> There's one by a fellow named Ira Ford that's pretty good too, but Mr.
> Ford was best at writing books on various topics rather than Bayard,
> who was a full-blown academic. You oughta look into some of R. P.
> Christesen's books too. One that's interesting reading is "Rantin'
> Pipe and Tremblin' String" by George S. Emerson.
>
>
> I think that Sarah Armstrong comes under the heading of "research",
> don't you Don? <G>
>
> Tater
>
> On Mar 9, 9:04 am, 14strings <[email protected]> wrote:
>> Thanks Tater...
>> I now have a another habit to keep me away from my day job...rare
>> fiddle tune book collecting.
>>
>> Perry
>>
>> On Mar 8, 10:32 pm, Don Grieser <[email protected]> wrote:
>>
>> > Yes, Brother Don has both of them along with some other tunebook gems.
>> > If you can't pony up the $ it'll take to bake the Tater, there's a pdf
>> > of the Hill Country Tunes book on the outernet here (with a nice
>> > picture of Sarah Armstrong, our favorite tune purveyor):
>>
>> >http://www.mne.psu.edu/lamancusa/tunes/hct/
>>
>> > This hasn't seemed to hurt the price of the actual books any so I wish
>> > they'd do this with more out-of-print tune books.
> >
>

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