malagrass:

An F hole and an oval is kinda like having a hard top and a
convertible; well not really :) but since we're all into mandolins I
say why not? If you can afford a second instrument then having an F
and an oval is better then having two F's (just like high school)

They are completely different animals. The sound of the oval besides
having more sustain and bottom end has a different type of projection
then a F. An F's tone jumps right out of the box while an oval's tone
takes a little longer to "bloom" but also fills up the space more.
Many ovals would have a tough time competing with a bluegrass style
banjo.

As Shaun says above; for solo palying or small ensembles an oval is
the ticket.

Playing wise the oval neck is I believe a shorter scale length and
meets the body at the 12th fret instead of 15. Though there are some
ovals made that join the neck at the typical 15th fret; but I'd
consider those more of a hybrid then a true oval.

One other thing I've noticed is that an oval sounds much different
when you are in the driver's seat then it does when someone else
playing it. In other words they are louder in reality then we perceive
them to be when we play them. Probably due to that "bloom" factor.


On Mar 28, 1:52 pm, sgarrity <[email protected]> wrote:
> I've got a Kimble A-0 and it's lots of fun to play.  I just begs for
> old time fiddle tunes.  Even does a respectable job on more bluegrassy
> tunes too.  An oval hole mando is at it's best if you're playing solo
> or with another mandolin or guitar.  Any more than that and your jam
> partners better have a REALLY good understanding of dynamics!  But in
> a small group, it offers a different tonal pallette.  Everybody should
> have at least one!
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