Clyde,
Frank was an originator just like Monroe, McReynolds, Bush, Statman,
Grisman, Thile, etc. While he may not have all the chops he used to,
he's still one of the most astounding and creative musicians I've ever
heard. David Long and I played in his home town a few years ago and
Frank came out to visit and play a few. What I heard from him that day
was pretty incredible. He played 4-note chord solos as clean and
precise as you ever heard, played harmonies, you name it. He was on.
Not many have explored the mandolin fingerboard as much as Frank, in
my opinion. I know that some of his ideas are way out there, but I
can't really think of anybody that's made a mark that hasn't had that
said about them.

I reckon for some people Frank is like learning to drink beer. But I
also think that it depends on what mood Frank's in too. He can play
'old school' with the best of 'em and then go reeling off sideways to
Mars if the urge strikes. Seems like there's a bit of something for
everybody there. But that's just me.

Tbug



On Jan 31, 5:37 pm, Linda <[email protected]> wrote:
> Seems we agree on a few things...mr old circle
>
> On Feb 1, 9:40 am, [email protected] wrote:
>
> > I went see Wank play in Portland a few years back. I was sitting with two 
> > very good mandolin players, they were slumming, of course. sitting with me.
> > We were talking during the intermission and one was raving about Frank, his 
> > influence, his originality, his amazing ideas while the other hated 
> > everything
> > about the show, wanted his money back and, by god, he was leaving. Now I 
> > loved everything about the show, warts and all, but I can see that Frank may
> > well be an acquired taste, like raw oysters. So, is that the case? Do you 
> > love him or hate him? I love raw oysters, but thing sushi is bate.
>
> > Clyde Clevenger
> > Just My Opinion, But It's Right
> > Salem, Oregon
> > Old Circle

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