Absolutely.  Mr. Martin has some great resources available on his website
too for chord banging!

M


On Wed, Mar 10, 2010 at 8:57 AM, mistertaterbug <[email protected]>wrote:

> The video you mentioned was a John Hartford tribute gig in Albany, NY.
> That tenor was a blond Kalamazoo Oriole, ladder braced 00 sized 12-
> fret box and gorgeous. Curly maple plywood back(as are the Orioles).
> Another guy who's got a lot of tenor chops is our own Peter Martin. He
> kicks serious butt. I'll bet Mister Seale is familiar with Mister
> Martin, yes?
>
> Tbugger
>
> On Mar 10, 8:52 am, mistertaterbug <[email protected]> wrote:
> > Oggy,
> > Unfortunately no, I don't have one currently, though I've had about 9
> > really nice ones; Martin flattop, Epiphone(walnut archtop with
> > matching case...sniff), 30's Gibson archtop( can you say 'butter'?),
> > Vega flattop, Gibson flattop(thinking of buying this one back soon's
> > the money comes in), Kay archtops, etc...I do miss having one to mess
> > with. Whether strung in fifths or like an octave mandolin, I like the
> > range they have. My main hurdle to playing a tenor was to stop
> > thinking with mandolin brain and play it for what it is, sort of the
> > same thing I have to do with the mandola. With the single courses, I
> > find a lot of mandolin technique won't necessarily work either, though
> > curiously, the archtops seems to work more like mandos than do the
> > flattops. Maybe it's just me.
> >
> > You might check around and find some of Joe Craven's recordings. He's
> > nutso about tenors and does some good work with them. Thanks for the
> > topic.
> >
> > Tenor Bug
> >
> > On Mar 9, 11:05 am, Oggy <[email protected]> wrote:
> >
> > > Any fans of tenor guitars in this group... besides me?
> >
> > > I ordered a Gibson L-00 copy from David Sundberg last year (one of
> > > Swedens top luthiers, very capable, even used to work for Bill
> > > Collings)... and I've played it everyday since I received it in april.
> > > The way I see it, it's the perfect cross-bread between the a guitar
> > > and a mandolin. It's tuned GDAE, with quite high string pressure. I
> > > can play it almost as a mandolin, but it sounds like a regular guitar
> > > (almost...tenors do have a certain sound with regard to the tuning in
> > > fifths, and of course it doesn't have the same bass response).
> >
> > > Well, I do love playing regular guitars and mandolin (and mandola)
> > > too, but sometimes my tenor just seems to suit the tune better.
> >
> > > In a recent interview at the Mandolin Cafe, Lowell Lovinger said the
> > > folIowing about tenor guitars: "I promote it everywhere, but so far it
> > > seems that I'm the only one actually playing one on gigs and records.
> > > I just don't understand why everybody doesn't jump on the bandwagon. I
> > > guess there's just no accounting for taste." Hence I started thinking,
> > > why doesn't more people play the tenor guitar? People seem to consider
> > > it an oddball instrument, way down in the hierarchy... more like an
> > > instrument to goof around with than to play with ambition. What do
> > > y'all think?
> >
> > > The most interesting thing about my own fascination for tenor guitars
> > > is that Mr. Compton himself started it. I saw a video clip of him
> > > playing a tenor guitar (he was playing with a bunch of great folks,
> > > John Hartford, Norman Blake, Tut Taylor, Vassar... can't remember the
> > > occasion), and his bluesy licks just struck a chord inside of me. The
> > > video could be found on Taters old website.
> >
> > > So Mike... do you have a tenor guitar? If so, do you play it a lot? If
> > > not, why?
> >
> > > BTW, I'll upload a picture of my Sundberg tenor guitar.
>
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