Very good questions, hope we get to see the answers..too. On May 20, 2:10 pm, mgromkey <[email protected]> wrote: > I've been listening, from a recording perspective, to some especially > well-produced cds. This brought me back around "Sacred, Profane," > which I was listening to a lot last year this time. > > T Bone did an excellent job producing. Clean and tidy. Everything sits > perfectly in the spare mix. M.C.'s rhythm mandolin is always a little > to the left, Jerry's dobro hard right, Stuart Duncan's fiddle hard > left. Bass in the middle. On many of the tunes the guitar is barely > there. > > I asked Mike what it was like to record this once, and he said > something like, "T Bone had mics all over the place, and you didn't > know what was turned on." I might have that wrong. It was a casual > remark. But I'd like to hear more about how this album was recorded in > the course of a couple short days. > > Which studio did you use at Sound Emporium? Were the recordings > "live"? Did Elvis sing his parts while you played, or did they go down > later? Was he in the room, or off in a booth? > > How'd the studio experience differ from making "Stomp"? From recording > with John Hartford? > > -- > You received this message because you are subscribed to the Google Groups > "Taterbugmando" group. > To post to this group, send email to [email protected]. > To unsubscribe from this group, send email to > [email protected]. > For more options, visit this group > athttp://groups.google.com/group/taterbugmando?hl=en.
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