Another question for Mike:

Did you get to see Willie's guitar in person? That shot on the inside
cover of Willie's new album (on which Tater plays some cuts) is
fantastic. That guitar looks like it has started to rot!

I've never been too finicky with my instruments either ;)



On May 20, 9:07 am, Linda <[email protected]> wrote:
> Very good questions, hope we get to see the answers..too.
>
> On May 20, 2:10 pm, mgromkey <[email protected]> wrote:
>
>
>
> > I've been listening, from a recording perspective, to some especially
> > well-produced cds. This brought me back around "Sacred, Profane,"
> > which I was listening to a lot last year this time.
>
> > T Bone did an excellent job producing. Clean and tidy. Everything sits
> > perfectly in the spare mix. M.C.'s rhythm mandolin is always a little
> > to the left, Jerry's dobro hard right, Stuart Duncan's fiddle hard
> > left. Bass in the middle. On many of the tunes the guitar is barely
> > there.
>
> > I asked Mike what it was like to record this once, and he said
> > something like, "T Bone had mics all over the place, and you didn't
> > know what was turned on." I might have that wrong. It was a casual
> > remark. But I'd like to hear more about how this album was recorded in
> > the course of a couple short days.
>
> > Which studio did you use at Sound Emporium? Were the recordings
> > "live"? Did Elvis sing his parts while you played, or did they go down
> > later? Was he in the room, or off in a booth?
>
> > How'd the studio experience differ from making "Stomp"? From recording
> > with John Hartford?
>
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