I wanted the first volta in this piece to be labeled "1-4", but the
volta label overlaid the chord annotation in my uptext. Is there a way
to adjust the position of the volta markings so it will miss the
uptext? I know I can move the uptext, but I don't want to have to
increase the inter-system spacing for the whole piece just to make space
for the voltas at the end.
Meter: 6/8
Style: SINGER
Space: 5
% Sharps: 3
% Bars/Line: 4
Pages: 1
Systems: 5
PMX: h9.8i
PMX: w7i
% PMX: Ar K+0+3
% %% h9.8i
% %% w6.75i
% %% \\pageno=6\
%% \\input bdgmusic\
%% \\input nofill\
% %% \\headline{\twelverm Xenofilkia \#76\hfill page 1460}\
% %% \\line{\twelverm ~\hfill}\
% %% \\line{\twelverm ~\hfill}\
% %% \\line{\twelverm \bf THE DESIGNER\hfill}\
% %% \\line{\twelverm words and music \copyright~1980 by Jordin
Kare\hfill}\
U: ~ ~ C | G
@+5 c8+ d | e4 e8 e d c | d4 e8 d4 b8 |
L: The De-sign-er sat at his draft-ing board, a
U: C | G
c4 c8 c b a | b4 c8 b4 b8 |
L: wealth of facts in his head was stored, Like
U: C ~ ~ G | C ~ ~ G | C ~ G
e d c d e d | c b a b4 b8 | c4 c8 b b b |
L: what can be done on a ra-di-al drill, a tur-ret lathe or a
U: C ~ ~ G | C ~ G | C ~ G
c d c b4 b1 b | V1 e4 e8 d4 b8 | Vx c4 d8 b4 g8 |
L: ver-ti-cal mill, But a-bove all things, a knack he had, of
U: Am | G ~ Am
a a a a a a | b4 g8 a4 c1 d |
L: dri-ving ma-chin-ists com-plete-ly mad! (So he)
%% L5
U: C ~ ~ G | C ~ G | Am ~ C
V5 e8 d c d4 e8 | Vx c4 a8 b4 g1 g1 | a4 a8 c c
c |
L: shout-ed in glee, "Suc-cess at last! I've de-signed a part that
can't
U: G ~ ~ Am
b a g a4 r8
L: e-ven be cast!
Meter: 6/8
Style: SINGER
Space: 5
% Sharps: 3
% Bars/Line: 4
Pages: 1
Systems: 5
PMX: h9.8i
PMX: w7i
% PMX: Ar K+0+3
% %% h9.8i
% %% w6.75i
% %% \\pageno=6\
%% \\input bdgmusic\
%% \\input nofill\
% %% \\headline{\twelverm Xenofilkia \#76\hfill page 1460}\
% %% \\line{\twelverm ~\hfill}\
% %% \\line{\twelverm ~\hfill}\
% %% \\line{\twelverm \bf THE DESIGNER\hfill}\
% %% \\line{\twelverm words and music \copyright~1980 by Jordin Kare\hfill}\
U: ~ ~ C | G
@+5 c8+ d | e4 e8 e d c | d4 e8 d4 b8 |
L: The De-sign-er sat at his draft-ing board, a
U: C | G
c4 c8 c b a | b4 c8 b4 b8 |
L: wealth of facts in his head was stored, Like
U: C ~ ~ G | C ~ ~ G | C ~ G
e d c d e d | c b a b4 b8 | c4 c8 b b b |
L: what can be done on a ra-di-al drill, a tur-ret lathe or a
U: C ~ ~ G | C ~ G | C ~ G
c d c b4 b1 b | V1 e4 e8 d4 b8 | Vx c4 d8 b4 g8 |
L: ver-ti-cal mill, But a-bove all things, a knack he had, of
U: Am | G ~ Am
a a a a a a | b4 g8 a4 c1 d |
L: dri-ving ma-chin-ists com-plete-ly mad! (So he)
%% L5
U: C ~ ~ G | C ~ G | Am ~ C
V5 e8 d c d4 e8 | Vx c4 a8 b4 g1 g1 | a4 a8 c c c |
L: shout-ed in glee, "Suc-cess at last! I've de-signed a part that can't
U: G ~ ~ Am
b a g a4 r8
L: e-ven be cast!
bdgmusic.tex
nofill.tex
