The accidentals for the microtonal notation are actually innumerable. A very
good book that summerizes the different notations is the
following:
Read Gardner, 20th-century microtonal notation, New York, Westport,
Connecticut, London, Greenwood press, 1990.
I think that every composer uses his own variation of the used notations for
the quarter- and three quarter-tones. It would be wonderful if the basic signs
were possible in MusiXTeX:
1. simple cross (sharp)
2. triple cross
3. reversed flat
4. black flat
5. black flat with reversed flat
6. sharp/flat/natural with an incorporated arrow upwards / downwards
Alexandros
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