On Thu, 3 Jan 2002 10:03:37 +0100 (CET), Christof Biebricher <[EMAIL PROTECTED]> wrote:
>I discussed the matter with Werner as we typeset the art of fugue and
>we used the following rules for the practical edition:
>1) Stick to the rules of modern notation, do not repeat an accidental
>in the same bar, do not dissolve it in following bars.
>2) Repeat the accidental if it occurs in another voice in the same
>system (or a different octava); however, dissolve an accidental
>in another voice in the same system.
>3) Do not dissolve an accidental occurring in another system, unless
>it is a surprising ``Querstand''.
>4) Break the above rules using CAUTIONARY or editorial (not ordinary)
>accidentials in cases where the context may favor the wrong choice.
Dear Christof,
thank you very much for your feedback! I'm not quite clear on the
precise connotations or Rule 2, though. I'm setting solo guitar music
with, usually, a maximum of three voices all on the same staff. Would
you repeat an accidental within a bar if it falls in a different
octave and/or a different voice under these circumstances? In other
words, how would you treat the D sharps and F sharps in the attached
example file?
Regards
Eva
--
"Everyone who has anything at all to do with music should be
happy, because music is the best of mankind's achievements."
-- Sena Jurinac, 1.11.2001
accid.tex
Description: Binary data
